1920 
Mar. 29 
NeAmB 


COLLECTION OF MR. CHARLES BELLOWS 


AN IMPORTANT COLLECTION OF 


EARLY AMERICAN AND ENGLISH 
POTTERY AND GLASS 


LOWESTOFT, LUSTRE AND OTHER OLD CHINA 
AND COTTAGE ORNAMENTS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


AT THE AMERICAN ART GALLERIES 


UNDER THE MANAGEMENT OF 


THE AMERICAN ART ASSOCIATION 


NEW YORK 


ia 


ON FREE PUBLIC VIEW 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING THURSDAY, MARCH 25rn, 1920 
AND CONTINUING UNTIL THE DATE OF SALE 


AN IMPORTANT COLLECTION OF 
EARLY AMERICAN AND ENGLISH 


CHINA, POTTERY AND GLASS 


BELONGING TO THE AMATEUR 


MR. CHARLES BELLOWS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY DIRECTION OF THE OWNER 


ON THE AFTERNOONS OF MONDAY AND TUESDAY 
MARCH 291TH AND 30TH 


AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 
BEGINNING EACH AFTERNOON AT 2.30 O'CLOCK 


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ILLUSTRATED CATALOGUE 
OF 


THE IMPORTANT COLLECTION OF 
EARLY AMERICAN AND ENGLISH 


CHINA, POTTERY AND GLASS 


INCLUDING MANY SPECIMENS REFERRED TO BY 
DR. EDWIN ATLEE BARBER IN HIS 
AUTHORITATIVE WORK 


BELONGING TO THE AMATEUR 


MR. CHARLES BELLOWS 


OF BROOKLYN, NEW YORK 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY DIRECTION OF THE OWNER 


ON THE DATES HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY | 
AND HIS ASSISTANTS, MR. OTTO BERNET AND MR. H. H. PARKE, 
OF THE 
AMERICAN ART ASSOCIATION, Manacers 
MADISON SQUARE SOUTH, NEW YORK 
1920 


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THE AMERICAN ART ASSOCIA1 
DESIGNS ITS CATALOGUES AND 


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CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such bid 


would be likely to affect the sale injuriously. 
2. The highest bidder shall be the buyer, and if any dispute 


arise between two or more bidders, the auctioneer shall either de- 


cide the same or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the pur- 
chase money as may be required, and the names and addresses of 
the purchasers shall be given immediately on the sale of every lot, 
in default of which the lot so purchased shall be immediately put 
up again and re-sold. 

Payment of that part of the purchase money not made at 
the time of sale shall be made within ten days thereafter, in de- 
fault of which the undersigned may either continue to hold the 
lots at the risk of the purchaser and take such action as may be 
necessary for the enforcement of the sale, or may at public or 
private sale, and without other than this notice, re-sell the lots 
for the benefit of such purchaser, and the deficiency (if any) aris- 


ing from such re-sale shall be a charge against such purchaser. 


4. Delivery of any purchase will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 
9 A. M. and 1 P. M., and on other days—except holidays— 
between the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American 
Art Galleries, or other place of sale, as the case may be, and only 
on presenting the bill of purchase. 

Delivery may be made, at the discretion of the Association, 


of any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business 
in which the Association is in no wise engaged, and will not be 
performed by the Association for purchasers. The Association 
will, however, afford to purchasers every facility for employing 
at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part 
for the acts and charges of the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the 
purchaser. Title passes upon the fall of the auctioneer’s hammer, 
and thereafter, while the Association will exercise due caution in 
caring for and delivering such purchase, it will not hold itself 
responsible if such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

7. Guarantee is not made either by the owner or the Asso- 
ciation of the correctness of the description, genuineness or au- 
thenticity of any lot, and no sale will be set aside on account of 
any incorrectness, error of cataloguing, or any imperfection not 
noted. Every lot is on public exhibition one or more days prior 
to its sale, after which it is sold “as is” and without recourse. 

The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly cata- 
logued, and, in its judgment, may either sell the lot as catalogued 
or make mention of the opinion of such expert, who thereby would 
become responsible for such damage as might result were his 


opinion without proper foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South. 


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THE AMERICAN ART ASSOCIATION 


MANAGERS 
SALE AT THE AMERICAN ART GALLERIES 
Collection of 
MR. CHARLES BELLOWS 
Afternoons of March 29 and 30, 1920 


To save time and to prevent mistakes each Purchaser will 


_ oblige the Managers by filling in this slip and handing it 


to the Record Clerk or Sales Attendant on making the first 
purchase. 


Purchaser’s Name —- fea. 


Bddres Re ee 


Amount of Deposit RRS eS SARS, em 


— 


— 


FIRST AFTERNOON’S SALE 


MONDAY, MARCH 29, 1920 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O'CLOCK 


EARLY AMERICAN GLASS 


- 1—EarRty AMERICAN GLASS BEAKER 


Dark green glass. Cylindrical shape with straight spreading 
sides, annular rim and curved spout. 
Height, 3% inches. 


2—EARLY AMERICAN STIEGEL Guass BEAKER 


Blue glass. Circular shape, with straight spreading sides and 


flat looped handle. 
Height, 24% inches; diameter, 4 inches. 


3—EARLY AMERICAN STIEGEL GLass FLASK 
Blue glass. Flattened pear-shaped body with cylindrical neck. 


Height, 4 inches. 


4—-FARLY AMERICAN STIEGEL GLAss BEAKER OF THE 18TH CENTURY 
Tapering cylindrical shape. White glass, decorated in colored 
enamels, with broad band of scrolled leaves and flowers, lines 


and looped border. 
Height, 4% inches. 


5—Four EarLy AMERICAN CUT-GLASS WINE GLASSES 


Bell-shaped bowls, baluster-shaped stems and circular feet, cut 


with oval facettings. 
Heights, 5 and 4 inches. 


6—Two Earty AMmericAN ENGRAVED AND Two Mo.pep WINE 
GLASSES 
Tapering and pear-shaped bowls, cylindrical stems and circular 
feet. Two wheel-engraved with vine leaves, grapes and ears of 
wheat, two with the lower parts molded with flutings. 


Heights, 6 and 4 inches. 


First Afternoon 


7—Two Earty AMERICAN STIEGEL GLAss PITCHERS 
Blue and olive green glass. Pear-shaped bodies, pointed spouts 
and looped handles. One with annular foot. 


Height, 4°24 and 4% inches. 
(Illustrated) 


8—EarRLyY AMERICAN STIEGEL GLAss Fincer Bow. 


Blue glass. Cylindrical shape with spreading sides and scrolled 
rim. Sides molded with seven vertical flutings. 


Height, 3°4 inches; diameter, 5% inches. 


QO—THREE EARLY AMERICAN MOLDED GLASS CUSTARD CUPS AND GER- 
MAN CUT-GLASS BEAKER 


Custard cups with incurved cylindrical bodies and circular feet, 
with looped handles. Pear-shaped beaker with looped handle 
and molded rectangular foot. Beaker decorated with carved 
fluted cuttings and intaglio-engraved festoons, beaded band and 
oval medallions with initials. (Beaker cracked.) 


Heights, 5% and 4 inches. 


1O—EaArRLY AMERICAN GLASS EWER 


Pear-shaped with cylindrical neck, pointed spout and looped 
handle. White glass decorated with vertical flutings. 


Height, 6 inches. 
Note: This was used as a measure for spirits. 


11—THREE EarLy AMERICAN GLAss BEAKERS 


Tapering cylindrical shape white glass, one decorated as to the 
lower portion, with flutings. 
Heights, 6, 54% and 4% inches. 


12—EarLy AMERICAN MoLpep Giass DECANTER ON STEM 
White blown and molded glass. Tapering cylindrical body, coni- 
cal neck with annular rim, incurved stem and molded circular 
foot. Decorated, in relief, with molded pointed panels divided 
by flutings and enclosing vine leaves and grapes. 


Height, 17 inches. 
(Illustrated ) 


13—Two Earty AMERICAN GLAss DECANTERS 


White blown glass. Pear-shaped bodies, cylindrical tapering 
and ringed necks, spreading rims and cut-glass stoppers of later 
date. 


First Afternoon 


14—ENGLISH CUT-GLASS DECANTER 


White cut glass. Pear-shaped body with cylindrical tapering 
neck, spreading rim and blown glass globular stopper. Body 
cut with ovals and facettings. Stopper does not match. 


15—Pair oF EarRLy AMERICAN GLASS DECANTERS 


White blown glass. Pear-shaped bodies, cylindrical tapering 
necks, spreading rims, pear-shaped and vertical flat disk stop- 
pers. Bodies decorated, in relief, with bands of vertical flutings 
and diamond diaperings. One stopper with bands of diamond 
diapering and fluting. 


16—Pair oF ENGLISH CutT-cLAss DECANTERS 
White cut-glass. Pear-shaped bodies, cylindrical tapering ringed 
necks; spreading rims and vertical flat disk stoppers. One blown 
with flutings, the other concave cut. Bodies cut, above, with facet- 
tings and, below, with flutings. 


The references following are to ‘““American Glass Ware,” by 
Edwin Atlee Barber. Philadelphia, 1900 


17—E1cHt ANGLO-AMERICAN GLAss Cup PLATES AND Two GLASS 
KNOBS 


White glass cup plates of circular shape, molded with busts of 
President Harrison and Henry Clay, Ships, U.S.A. arms and 
Bunker Hill Monument and with various borders. Circular 
knobs molded with hexalobed medallions and with metal stems. 
Bz Nosoa0;4 and se 


Diameter, 3% inches. 


18—Earty AMERICAN GLAss BOTTLE AND AMERICAN GLASS WHISKEY 
FLASK 
Barber’s Types Nos. II and VI. Green and brown glass. Molded 
in relief, one with dray and horse, “Railroad, Lowell,” American 
Eagle, and thirteen stars, one with palm tree and “S. C. Dis- 
pensary.” B., No. 82. Maker unknown. 
Height, 5% inches. 


19—Two Earty AMERICAN GLASS BOTTLES 


Bodies of Barber’s Type No. I]. Dark green glass. One molded 
in relief with busts of Washington, one with Horse and Wagon, 
“Railroad,” “Lowell” and American Eagle. B., No. 82. 


Height, 6 inches. 


First Afternoon 


20—Two Earty AMERICAN GLAss BoTTLEs 
Barber’s Type No. III. White glass molded in relief, one with 
busts of General Taylor and Washington: “Gen. Taylor Never 
Surrenders” and “The Father of his Country.” One with ship. 
Franklin, “Sheaf of Wheat,” “Free Trade Sailors’ Rights” and 
“Kensington Glass Works. Philadelphia.” Makers, Kensing- 


ton and Dyotville Glass Works. B., No. 9. 
Height, 6°4 inches. 


21—Earty AMERICAN GLAss BoTTLE 
Barber’s Type No. II. Dark brown glass. Molded in relief with 
a vase and cornucopia of fruits and leaves. B., No. 67. Maker 
unknown. 
Height, 6% inches. 


22-—EarLy AMERICAN GLAss BOTTLES 
Barber’s Type No. III. White glass molded in relief with trees, 
one in full leaf with a bird in the branches and one leafless. 
Inscribed “Summer” and “Winter.” B., No. 77. Maker unknown. 


Height, 7 inches. 


23—Two EarLty AMERICAN GLAss BOTTLES 
Bodies of Barber’s Types Nos. II and III. Olive-green glass. 
One molded in relief with busts of Jackson and Washington, one 
with Horse and Wagon and “Success to the Railroad.” B., Nos. 


9 and 3. 
Height, 7 inches. 


First Afternoon 


24—Two Earty AMERICAN GLAss BOTTLES 


Bodies of Barber’s Types Nos. II and III. White and olive-green 
glass. One molded in relief with bust of General Taylor: “Gen. 
Taylor Never Surrenders,” and a bust of Washington, “The 
Father of his Country.” One with Horse and Wagon and “Suc- 
cess to the Railroad.” B., Nos. 9 and 3. 

Heights, 8 and 7 inches. 


25—Two Earty AMERICAN GLass BOTTLES 


Barber’s Type No. IV. Greenish white glass. Molded in relief, 
one with figure of Pike, “For Pike’s Peak,” American Eagle and 
“GERIDO,” one with clasped hands, Masonic emblem, “Union” 
and American Eagle. Makers unknown. B., Nos. 83 and 63. 


Height, 9% inches. 


26—Two Earty AMERICAN Guass BOTTLES 


Barber’s Types No. II and No. VI. Dark green and greenish 
white glass, molded, in relief, one with American Eagle, “Lib- 
erty” and “Willington Glass Co.,” one with bust of General Tay- 
lor: “Rough and Ready,” and American Eagle and stars, with 
corrugated side. B., Nos. 35 and 17. Makers, Willington and 
Dyotville Glass Works. 

Heights, 94% and 8% inches. 


EARLY AMERICAN BOTTLES 


27—EARLY AMERICAN GLAss BOTTLES 


One with rectangular diamond-shaped body; one with pear-shaped 
body, white and green grass; one molded, in relief, with oval 
medallions and figures in Roman armor holding triangles; one 
with curved ribbing. 

Height, 5 inches. 


28—Two Earty AMERICAN GLASS BOTTLES 


Flattened pear-shaped and flattened tapering-shaped bodies. 
Greenish white glass. Molded, in relief, one with scrollings and 
volutes, one with dog and jockey on horseback. 


Heights, 7% and 7 inches. 


29—EarLy AMERICAN CasE BoTTLE 
Greenish white glass. Rectangular body and cylindrical neck 
with spreading rim. 
Height, 8 inches. 


First Afternoon 


30—EARLY AMERICAN “TIPPECANOE” BOTTLE 


Brown glass. Cylindrical body with cylindrical neck and spread- 
ing rim. Molded in the form of the trunk of a tree and in- 


scribed, on one side, “Tippecanoe” and on the other, “H. H. 
Warner and Co.” 


Height, 9 inches. 


31—TureeE Earty AMERICAN GLASS WINE BOTTLES 
Dark green glass. Cylindrical bodies and necks. 


Heights, 9 and 6'% inches. 


32—AMERICAN BITTER BOTTLE 
Amber-colored glass. Rectangular shape with sloping shoulders 


and cylindrical neck. Body modeled with horizontal corruga- 
tions. Shoulders inscribed, in relief, “1860 Plantation Bitters.” 


Height, 10 inches. 


33-—-Two AmeERICAN GLass WINE BOTTLES OF THE 19TH CENTURY 


Brown and white glass. Cylindrical bodies with tall cylindrical 
necks. One molded, in relief, with Gothic arcading of trefoil 
arched niches, enclosing figures of monks, one molded with palm 
tree and inscription, “S. C. Dispensary.” 

Height, 10 inches. 


34—Four Earty AMERICAN WINE BOTTLES 
Dark green glass. Cylindrical bodies and necks. 


Height, 10% inches. 


35—Two Earty AMERICAN WINE BOTTLES 


Dark green glass. Cylindrical bodies and necks. Inscribed in 
raised letters, one with “CONSTITUTION,” one with “I.L.M. SMITH, 
BALTIMORE.” 

Heights, 11 and 10% inches. 


36—EarLy AMERICAN GLASS WINE BOTTLE 


Dark green glass, Tapering cylindrical body, and neck with 
molded rim. Body inscribed, in relief, on projecting circular 
bat Li.” 

Height, 11 inches. 


37—AMERICAN GLASS AND COMPOSITION CORDIAL BOTTLE 


Dark brown glass. Cylindrical body and neck. Body and neck 
covered with composition modeled as the trunk of a tree with 
knots and painted. Cork stopper. 

Height, 12% inches. 


First Afternoon 


38—Two Earty American Guiass “BEAR” BoTTLes 
White and black glass. Formed as the figures of seated bears 
with cylindrical necks on shaped bases. 


Heights, 11 and 10 inches. 


39—SeT OF Nine Earty AMERICAN GLAss WINE BOTTLES 
Dark green glass. Cylindrical bodies and necks with molded 
rims. Bodies inscribed, in relief, on projecting circular bats, 
“J. BELL,” 
Height, 12 inches. 
40—S1x EarLty AMERICAN GLAss BoTTLEs 
White and green glass. Cylindrical bodies, tapering cylindrical 
necks and tapering molded rims. 


Heights, 18, 17 and 12 inches. 
41—TwENTY-EIGHT EARLY AMERICAN GLASS WINE BOTTLES 
Mainly green glass, of various sizes, dates and patterns. Some 
with glass bats with initials in relief. 
42—Tuirty EARLY AMERICAN GLASS WINE BOTTLES 
Mainly green glass. Of various sizes, dates and patterns. 


First Afternoon 


43—Parr oF EARLY AMERICAN GLASs DEMIJOHNS 


Brown glass. Flattened pear-shaped bodies, tapering cylindrical 
necks and tapering molded rims. 
Heights, 18% and 16% inches. 


44—Patmr oF EarLty AMERICAN GLAss DEMIJOHNS 


Brown glass. Flattened pear-shaped bodies, tapering cylindrical 
necks and tapering molded rims. 
Heights, 18 and 16 inches. 


45—PAtrR OF EARLY AMERICAN GLASS DEMIJOHNS 


Brown glass. Flattened pear-shaped bodies, tapering cylindrical 
necks and tapering molded rims. 
Heights, 20 and 17 inches. 


46—THREE EARLY AMERICAN GLASS DEMIJOHNS 


White, brown and green glass. Cylindrical bodies, tapering 
molded rims. 
Heights, 20% inches. 


47—PatR oF EARLY AMERICAN GLASS DEMIJOHNS 


Brown glass. Flattened pear-shaped bodies, tapering cylindrical 
necks and tapering molded rims. 
Heights, 20 and 19 inches. 


48—S1x DutcuH Guass Gin BoTTLES OF THE 19TH CENTURY 


Dark green glass. Rectangular tapering bodies, cylindrical necks. 
Two with flat rims. 
Heights, 9 inches. 


49—BoHEMIAN GLASS GOBLET OF THE EARLY 19TH CENTURY 


Coupe-shaped bowl, baluster-shaped stem and molded circular 
foot. White glass, the bowl painted with a pattern of Gothic 
tracery in white, set with jewels of red and green glass, the stem 
and foot with concentric rings of wheel engraving and a band 


of gilding. 
WEDGWOOD 


50—Wepcwoop BASALTES SPILL OF THE 18TH CENTURY 


Cylindrical shape with spreading rim. Decorated with flat flut- 
ings, bands of acanthus leaves and hatched diapering. Mark: 
WEDGWOOD. 

Height, 3 inches. 


First Afternoon 


51—JASPER Cup AND SAUCER IN THE WEDGWOOD STYLE 


Cup with flat looped handle. White jasper washed with lilac 
and with yellow jasper applications. Decorated with a draught- 
board diaper, the alternate squares enclosing yellow quatrefoils 
and with bands of acanthus and pointed leafage. 


52—WeEpDGwoop JASPER SUCRIER OF THE EARLY 19TH CENTURY 


Coupe-shaped with domed cover and mushroom finial. Light 
blue jasper, decorated, in relief and in white jasper, the body 
with acanthus leaves and lilies, the lid with paneled rosettes and 
serrated leaves. Mark: WEDGWooD. 

Height, 4% inches. 


53—WeEpcwoop PoTTERY “CAULIFLOWER” TEAPOT 


Pear-shaped body, domed cover, mushroom finial, curved spout 
and scrolled looped handle. Modeled as a cauliflower with leaves 
and invested with a white and green glaze. Mark: wepcwoop. 
(Finial repaired.) 


First Afternoon 


94—WeEpbpcwoop BASALTES SUCRIER OF THE 18TH CENTURY 


Oval shape. With domed cover and figure of Mrs. Siddons as 
finial. Side and cover decorated with flat flutings and bands of 
guilloche patterning. About 1790. Mark: wEpcwoon. o. 


Height, 5 inches. 


55—Wepcwoop Pottrery DESSERT PLATE OF THE 18TH CENTURY 


Circular shape with scalloped edge. Invested with a green glaze 
and decorated, in low relief, with a sunflower center and looped 
basket-work rim. Mark: wepGwoop. 

Diameter, 8142 inches. 


Note: This plate is said to have belonged to the Duchess of Kent, mother 
of Queen Victoria of England. 


56—WeEpGwoop JASPER TEA SET OF THE EARLY 19TH CENTURY 


Pear-shaped coffee-pot and cylindrical teapot with curved spouts, 
flat looped handles and domed covers with ball finials, cylindri- 
cal sucrier and helmet-shaped ewer. Dark blue jasper decorated, 
in relief and in white jasper, with acanthus scrolls, bands of 
suilloche patterning, acanthus leaves and honeysuckles. Marks: 


Wedgwood. 


Height: Coffee pot, 7% inches; teapot, 5 inches; sucrier, 4 inches; 
ewer, 54% inches. 


From the Horace Townsend Collection. 


57—Wepcwoop PottTery Fruit DIsH AND STAND 


Circular shape with open sides of a willow-work wound with 
twisted bands, on stand modeled with basket-work in center and 
with open rim simulating willow-work. Invested with a cream- 
colored glaze. Mark: WEDGWoop. 


Height, 3 inches; diameter, 9 inches. 


58—WeEpDGwoop PORCELAIN VASE AND Bow. 


Pear-shaped vase invested with a mottled crimson glaze; bowl, 
with domed cover, invested with a mottled blue glaze. Both 
decorated, in gold lines, with Chinese dragons and scrollings. 
Marks: wepGwoop. (Painted.) 

Heights, 5% and 3% inches. 


50—ApAMS JASPER VASE AND COVER OF THE 18TH CENTURY 


Urn-shaped perforated cover with cylindrical neck and circular 
foot. Dark blue jasper decorated, in relief and in white jasper, 
with acanthus leaves and lilies and with band of interlaced 


circles. Made by William Adams (1787-1805). 


Height, 7% inches. 
From the Horace Townsend Collection. 


First Afternoon 


60—WeEpGwoop JASPER VASE ]9TH CENTURY 


Oval-shaped body with domed cover and mushroom finial, on 
tripod stand of square tapering legs and triangular base with 
incurved fluted sides. Dark red jasper decorated, in relief and 
in black, with an Egyptian pattern of bands of lotus flowers and 
buds, pointed leaves and bands of sacred wings and other hiero- 
glyphic symbols. Mark: wepcwoop. 

Height, 8% inches. 


61—WeEpDGWwoop JASPER VASE 


Urn-shaped vase with looped handles. Domed cover and rec- 
tangular base on drum-shaped pedestal. White jasper washed 
with lilac. Decorated with a draughtboard diaper, the alternate 
squares occupied by green acanthus leaves, and with bands of 
laurel and acanthus. Mark: wEepcwoop. 
Height, 7% inches. 
62—Wepcwoop PoRCcELAIN VASE : 


Urn-shaped with projecting looped handles, domed cover, pointed 
finial and circular foot. Invested with a white glaze and decor- 
ated, in relief and in colors and gold, with floral festoons hang- 
ing from rams’ heads, floral sprays and bands of interlaced cir- 
cles, quatrefoils, acanthus and lotus leaves. Mark: wepGwoop. 
(Painted. ) 

Height, 10% inches. 


First Afternoon 


63—Wepcwoop JAsPpER VASE OF THE 19TH CENTURY 
Ovolo-shaped body with domed cover and lotus finial, on tripod 
stand with legs decorated with rams’ heads and hoofs, on tri- 
angular base with incurved fluted sides. Black jasper decorated, 
in relief and gilded, with floral festoons, acanthus and lotus 
leaves and a band of laurel leaves. Base of chocolate colored 


jasper. Mark: wepcwoon. 
Height, 9% inches. 


64—Wepcwoop JASPER VASE 
Urn-shaped body with incurved neck, domed stopper, circular 
foot and rectangular base. Lilac jasper decorated, in relief and 
in white jasper, with panels formed by acanthus leaves and honey- 
suckles enclosing subjects which include “A Sacrifice,” “Bap- 
tism of Achilles,” and “Psyche and Amorini,” and with bands of 
twisted ribbon and acanthus leaves. Mark: wepcwoop. 8 T. 


Height, 10°%4 inches. 


First Afternoon 


65—Wepcwoop JASPER WARE VASE 


Urn-shaped body with incurved cylindrical neck, two twisted ser- 
pent looped handles, cylindrical stem, circular foot and rectangu- 
lar base. Blue jasper, decorated, in relief and in white jasper, 
with subjects of “Venus in a Chariot Drawn by Swans” and 
“Cupid Watering the Swans,” modeled in 1786 by Henry Webber 
after designs by Le Brun, with acanthus and lotus leaves and with 
bands of guilloche, egg and dart and Greek fret patterning. 
Marked wepcwoop and “Charles Bellows.” In glazed case with 
hinged door. Height, 12% inches. 


Note: This vase was made at Etruria for the present owner after a vase 
owned by Queen Mary of England. 


66—Wepcwoop BasaLTEs STATUETTE 
Nude figure of Mercury with winged cap and purse in his left 
hand, standing with his right elbow supported on the trunk of a 
tree. Circular base. Mark: wepcwoop. Height, 12 inches. 


First Afternoon 


67—WeEpDGWoop JASPER VASE 


Coupe-shaped body with incurved neck and domed cover with 
Seated Child finial, supported by fluted cylindrical stem and three 
caryatid figures of partially nude youths with folds of drapery. 
On triangular base with incurved sides. Blue jasper decorated, 
in relief and in white jasper, with floral garlands, scrolls and 
lotus leaves. Figures of white jasper. After Flaxman. Mark: 


WEDGWOOD. S. 
Height, 13 inches. 


68—WeEpDGWooD JASPER WARE VASE 


Urn shape with domed cover, pointed finial, projecting looped 
handles, incurved stem, circular foot and rectangular base. 
Green jasper, decorated, in relief and in white jasper, with oval 
medallions of the Muses, floral festoons, signs of the Zodiac, 
honeysuckles and panels of flowers and leaves. Mark: wepGwoop. 


Height, 13% inches. 


First Afternoon 


69—WeEpDGwoop JASPER VASE 

Pear-shaped body with incurved cylindrical neck, domed cover, 
ball finial, projecting looped mask handles, incurved stem, circu- 
lar foot and rectangular base. Decorated, in relief and in white 
jasper, with Flaxman’s “Dancing Hours,” acanthus and lotus 
leaves, honeysuckles and satyr masks. Mark: wEpGwoop and 
“Made for Mr. Charles Bellows” incised. 

Height, 15% inches. 


(Illustrated ) 


70—Wepcwoop JASPER “PEGASUS” VASE 


Pear-shaped body with projecting looped serpent handles spring- 
ing from Medusa masks, domed cover with Pegasus finial, circu- 
lar foot and rectangular molded base. Black jasper, decorated, 
in relief, with white jasper with subjects of the “Apotheosis of 
Homer,” molded by Flaxman, with bands of honyesuckle orna- 
ment and with a band of pointed laurel leaves and berries. In 
rectangular glazed case with hinged door. Mark: wepcwoop and 


‘“‘Made for Mr. Charles Bellows” incised. 
Height, 19% inches. 


Note: This was made at Etruria especially for Mr. Bellows. The so- 
called “Pegasus” Vases, one of which is now in the British Museum Col- 
lection, were first modeled about 1789. 


(Illustrated) 


71—Wepc¢woop GLAZED POTTERY CENTERPIECE 
Formed as a nautilus shell supported by two intertwined dolphins 
on a molded quatrefoil base with fluted sides. The interior of 
shell invested with a green glaze, the exterior with a mottled 
brown glaze, bodies of dolphins with blue, heads with green and 
red, and base with brown and yellow glaze. Mark: wepcwoop. 


Height, 161% inches. 


72—Wepcwoop JASPER WARE VASE 
Pear-shaped body with projecting looped handles, flat cover, 
vase-shaped finial, circular foot and rectangular base. Olive- 
green jasper decorated, in relief and in white jasper, with figures 
of the Muses, floral festoons and bands of honyesuckle ornament. 

Mark: wepcwoop. (Repaired.) 
Height, 11% inches. 

(Illustrated ) 


e's 


First Afternoon 


73—WeEpcwoop PoTTERY FLOWER-POT AND STAND OF THE EARLY 
19TH CENTURY 
Cylindrical body with spreading scalloped rim. Molded stand 
with border of cockle shells. Light gray jasper. Body decorated, 
in relief, with groups of flowers and trunks of trees. 


Height, 6 inches; diameter, 7°4 inches. 


ENGLISH LUSTRE WARE 


74—-PaIR OF SUNDERLAND LustrRED Pottery Mucs oF THE EARLY 
19TH CENTURY 
Cylindrical bodies with looped handles. Invested with a white 
glaze and decorated, in colors, with subjects of Boys whipping 
tops, “Mother and Child,” inscriptions “For my dear Boy” and 
“For my dear Girl” and bands of purple lustre. (One chipped.) 


Height, 2% inches. 


75—STAFFORDSHIRE CopPpeR LusTRE TEACUP AND SAUCER OF THE 
EarLy 19TH CENTURY 
Cup with handle. Decorated with bands of dark copper lustre 
and of blue, patterned with scrolls of flowers and leaves in purple 
lustre. 


76—STAFFORDSHIRE COPPER AND PURPLE LUSTRE MUG OF THE EARLY 
19TH CENTURY 


Incurved cylindrical body with looped handle. Decorated with 
bands alternately of marbled purple lustre and of copper lustre. 


Height, 3% inches. 


First Afternoon 


77—STAFFORDSHIRE COPPER LUSTRE Muc oF THE EARLY 19TH CEN- 
TURY 


Incurved cylindrical body with looped handle. Decorated with 
bands of copper lustre and with bands of floral sprays, in relief 
and colored, on a brown ground. 

Height, 3%4 inches. 


78—STAFFORDSHIRE COPPER LUSTRE PITCHER OF THE EARLY 19TH 
CENTURY 


Pear-shaped body, cylindrical neck, pointed spout and looped 
handle. Decorated with bands of copper lustre and of white 
patterned with flowers and grapes in colors. (Chipped.) 


Height, 4 inches. 


79—STAFFORDSHIRE Copper LUSTRE PITCHER OF THE EARLY 19TH 
CENTURY 


Pear-shaped body, cylindrical neck, pointed spout and looped 
handle. Decorated with bands of copper lustre and of blue pat- 
terned with leafage and Maltese crosses in copper lustre. 


Height, 44 inches. 


80—STAFFORDSHIRE COPPER LUSTRE PITCHER OF THE EARLY 19TH 
CENTURY 


Pear-shaped body, incurved cylindrical neck, pointed spout and 
looped handle. Decorated with bands of copper lustre and of 
blue patterned with leafage scrolls in copper lustre. 


Height, 4% inches. 


81—STAFFORDSHIRE SILVER LUSTRED POTTERY SUCRIER OF THE EARLY 
19TH CENTURY 


Rectangular shape with domed cover, rectangular beaded finial 
and molded foot. Invested with a solid silver lustre and decor- 
ated with bands of curved flutings. 

Height, 4% inches. 


82—STAFFORDSHIRE PORCELAIN SUCRIER OF THE 18TH CENTURY 
Rectangular shape with rounded angles, domed cover with rec- 
tangular mushroom finial and leopard’s head handles. Invested 
with a light buff-colored glaze, and decorated with bands of pink 
patterned, in gold, with vine leaves and grapes. 
Height, 4% inches. 


First Afternoon 


83—STAFFORDSHIRE SILVER LUSTRED POTTERY SUCRIER OF THE EARLY 
19TH CENTURY 


Oval body, domed cover, floral finial, projecting ear handles and 
molded foot. Invested with a solid silver lustre and decorated 
with curved flutings. 

Height, 4% inches. 


84—STAFFORDSHIRE Copper LUSTRE PITCHER OF THE EARLY 19TH 
CENTURY 


Pear-shaped body, incurved cylindrical neck, pointed spout and 
looped handle. Decorated with solid copper lustre and a band 
of buff color patterned with scrolled leaves in copper lustre. 


(Repaired. ) 
Height, 5 inches. 


85—STAFFORDHSIRE COPPER LUSTRED POTTERY SUCRIER OF THE EARLY 
19TH CENTURY 
Rectangular shape with domed cover and oval mushroom finial. 
Invested with a solid copper lustre, and decorated with flutings 
and bands, in relief, of stars and beads. (Chipped.) 


Height, 5 inches. 


86—STAFFORDSHIRE CopPER LUSTRE BOWL OF THE EARLY 19TH CEN- 
TURY 


Coupe-shaped with curved sides. Decorated with bands of cop- 
per lustre and of cream color, patterned with baskets of flowers, 
in relief and colored. 


Height, 3 inches; diameter, 5% inches. 


First Afternoon 


87—STAFFORDSHIRE SILVER LUSTRED POTTERY SUCRIER AND TEAPOT 
OF THE EARLY 19TH CENTURY 


Rectangular teapot with curved spout and looped handle. Small 
pear-shaped sucrier with domed cover and mushroom finial. In- 
vested with a solid silver lustre and decorated with flutings. (Lid 
of teapot missing, lid of sucrier repaired.) 


Height of sucrier, 4% inches. 


88—STAFFORDSHIRE SILVER LUSTRED PoTTERY TEAPOT AND CREAM 
EWER OF THE EARLY 19TH CENTURY 


Rectangular teapot with domed cover, oval gadrooned finial, 
curved spout and flat looped handle. Pear-shaped ewer with 
curved spout and flat looped handle. Invested with a solid silver 
lustre and decorated with flutings. (Teapot repaired.) 


Height of ewer, 4 inches. 


89—ANGLO-AMERICAN SAFFORDSHIRE LUSTRED POTTERY TEAPOT OF 
THE EARLY 19TH CENTURY 


Rectangular shape, with domed cover, rectangular finial, curved 
spout and looped handle. Invested with a white crackled glaze 
and printed, in black, with steamship, sailing ship with American 
flag and American eagle. Bands and other decorations of purple 
lustre. 


90—STAFFORDSHIRE Copper LUSTRE PITCHER OF THE EARLY 19TH 
CENTURY 


Tapering cylindrical body and neck, the body fluted, pointed 
spout and straight looped handle. Decorated with solid copper 
lustre patterned with floral panels and a band of flowers, painted 
in colored enamels. 

Height, 6 inches. 


First Afternoon 


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cores ses 


91—STAFFORDSHIRE SILVER Resist Lustre PoTTERY PITCHER OF THE 
18TH CENTURY 
Pear-shaped body, pointed spout and straight flat looped handle. 
Invested with a white glaze, and decorated, in silver resist, with 
bands of vine leaves, grapes and scrollings and of interlaced 
circles. Height, 5% inches. 


92—STAFFORDSHIRE COPPER LUSTRE PITCHER OF THE EARLY 19TH 
CENTURY 

Pear-shaped body with incurved neck, pointed mask spout and 

flat looped handle. Decorated with solid copper lustre and a 

band of dark blue patterned with a floral spray and groups of 

a child with a dog, in relief and colored. Height, 6% inches. 


93—STAFFORDSHIRE CoPppER LUSTRE PITCHER OF THE Earty 19TH 
CENTURY 

Pear-shaped body, incurved cylindrical neck, pointed mask spout 

and looped handle. Decorated with solid copper lustre and a 

band of blue patterned with floral sprays and groups, in relief 

and colored. (Chipped.) Height, 6% inches. 


94— STAFFORDSHIRE PURPLE LUSTRED POTTERY SUCRIER OF THE EARLY 


19TH CENTURY 
Octagonal body with domed cover, pointed finial, projecting 
scroll handles and molded foot. Invested with a white glaze, 
printed, in carmine, with Swiss chalet and decorated with bands 
of purple lustre. (Chipped.) Height, 6% inches. 


First Afternoon 


95—Two STAFFORDSHIRE COPPER LUSTRED POTTERY SAUCERS 


Circular shape. Invested with a white glaze and decorated, in 
pink and copper lustre, one with chrysanthemums and leaves, 
one with foliage scrolls. 

Diameters, 6 and 5% inches. 


Q6—STAFFORDSHIRE COPPER LUSTRE PITCHER OF THE EARLY lOTH 
CENTURY 


Inverted pear-shaped body, cylindrical neck, curved mask spout 
and straight looped handle. Decorated with solid copper lustre 
and with a band of light blue patterned with baskets of flowers, 
in relief and colored. (Chipped.) 

Height, 6°4 inches. 


Q7—SUTHERLAND LUSTRED POTTERY AND DutTcH PoTTERY BOWLS OF 
THE 19TH CENTURY 


Coupe-shaped with annular feet. Invested with a white glaze, 
one printed, in black and colors, with the Tricolor and Union 
Jack and with a verse of poetry, bordered with a band of purple 
lustre. One painted, in colors, with a band of flowers and leaves. 
(One cracked. ) 


Heights, 3% and 3 inches; diameters, 7 and 5% inches. 


98—STAFFORDSHIRE PURPLE LUSTRED PoTTERY PITCHER 


Pear-shaped body, pointed spout, flat looped handle and molded 
foot. Invested with a white glaze and decorated, in relief on a 
shark’s-skin ground, with clusters of tulips and leaves, painted 
blue and finished with purple lustre. 

Height, 7 inches. 


909— STAFFORDSHIRE PURPLE LUSTRED POTTERY SUCRIER OF THE EARLY 
19TH CENTURY 


Tapering octagonal body with pinnacle cover, pointed finial, 
scrolled handles, and molded foot. Invested with a white glaze 
and decorated, in pink and purple lustre, with buildings flanked 
by trees, scrollings and floral sprays. 

Height, 7% inches. 


100—Two STAFFORDSHIRE PoTTERY PLATTERS OF THE EARLY 19TH 
CENTURY 
Octagonal shape with curved rims. Invested with a white glaze 
and printed, in dark blue, with subjects of the “Quadrupeds”’ pat- 
tern (a hippopotamus in the center surrounded by panels of 
other animals), of Gyrn, Flintshire, Wales, and of scrolled and 
flower and fruit borders. Hall’s ““Animal Series.” 


Lengths, 17 inches; widths, 15% and 13 inches. 


First Afternoon 


MISCELLANEOUS PORCELAINS 


101—MEIssEN PORCELAIN FIGURINE 


Figure of a youth, with yellow flowered coat, light-colored flow- 
ered vest and knee breeches, green hat and lace collar and cuffs, 
seated on the trunk of a tree, playing the bagpipe which he holds 
under one arm. On shaped scrolled base. 

Height, 7% inches. 


102—PorcELAIN VASE OF THE 18TH CENTURY 


Urn-shaped body with projecting looped handles, molded stem, 
circular foot and rectangular base. Invested with a white glaze 
and decorated with bouquets of flowers painted naturalistically 


and with bands of gilding. 
Height, 10% inches. 


103—PairR OF PORCELAIN VASES OF THE 19TH CENTURY 


Pear-shaped bodies, with voluted handles, incurved necks, egg 
and dart molded rims, cylindrical stems and octagonal bases with 
acanthus-leaf feet. Invested with a white glaze and gilded. Dec- 
orated with bands of white reserve on bleu-du-roi grounds, occu- 
pied with paintings, in colors, of figures in sixteenth century cos- 


tumes and landscapes. 
Height, 914 inches. 


104—PairR OF GERMAN PORCELAIN FIGURINES 


Standing figures of a youth in rose-colored coat, white vest and 
knee breeches flowered in gold, and black hat, holding a flute in 
both hands, and of a maiden, in green bodice, white skirt flowered 
with gold and striped petticoat, holding an open book. Tree- 
trunk supports pierced for candlestick stems. On cylindrical ped- 
estals with voluted feet, decorated with gilt scrollings and panels 


of bouquets of flowers painted in colors. 
Height, 10% inches. 


105—PAirR oF FRENCH PORCELAIN FIGURINES 


“The Alarm.” Figures of youth in blue coat, pink flowered vest, 
green flowered knee breeches and white wig, grasping a chair 
with one hand and holding his gloves in the other, and of a 
maiden with purple bodice, flowered and ruffled white skirt and 
white wig, raising her skirt in alarm at a mouse. On circular, 


molded and unglazed bases. 
Height, 11 inches. 


First Afternoon 


106—Pair oF PORCELAIN VASES 


Elongated pear-shaped bodies with shaped rims and edges mod- 
eled with acanthus leaves, looped scrolled handles and circular 
feet with scrollings in relief. Invested with a white glaze and 
decorated with shaped panels of white reserve on a pale pink 
ground surrounded by gilt scrollings and occupied with bou- 
quets of flowers painted naturalistically. Finished with gilding. 
(One handle broken. ) 

Height, 15% inches. 


107—FRENCH PORCELAIN FRUIT DISH 


Hexagonal body with spreading rim, the side pierced with dia- 
mond interlacements, incurved molded stem and_ hexagonal 
molded foot with voluted brackets at the angles and floral feet. 


108—OneE AMERICAN PORCELAIN AND ONE ENGLISH POTTERY VASE 


Pear-shaped bodies with incurved necks. Invested, one with a 
mottled orange-colored glaze, one with a pink glaze mottled with 


eray. 
Heights, 17% and 10 inches. 


109—-SEvRES PORCELAIN VASE 
Inverted pear-shape with incurved cylindrical neck. Invested 
with a bleu-du-roi glaze and finished with lines of gilding. 


Height, 17% inches. 


JAPANESE AND CHINESE PORCELAINS 


110—JAPANESE PORCELAIN GROUP 
Figure of two boys seated, in Chinese costume, one in a rose- 
colored, the other in a light blue robe brocaded with flowers. 
One of them rests his left hand on a florally decorated globe. On 
oval base, the top with diamond diapering in colors. On carved 


and pierced teakwood stand. 
Height, 5% inches. 


111—JAPANESE PORCELAIN INKSTAND 


Globular ink-well with pinnacle cover supported by two en- 
twined three-toed dragons. Invested with a blanc-de-Chine glaze. 


Height, 4 inches; length, 7 inches. 


First Afternoon 


112—JaPANESE Kaca Ware Bow. 
Coupe-shaped. Invested with a white glaze and decorated in 
red, black and gold, the interior with a band of the hundred 
Immortals on a gold ground and a center of a pheenix in gold 
on a red ground. The exterior with alternate curved stripes of 
red scrolls on grounds of white reserve and of gold scrolls on 


red grounds. 
Height, 6°4 inches; diameter, 14% inches. 


113—JAPANESE EARTHENWARE FIGURINE 


Figure of a bearded Sage, in flowing robe. Head, hands and 
feet unglazed. Robe invested with a dark red glaze. 


Height, 10% inches. 
114—JAPANESE PORCELAIN VASE 
Double gourd shape. Invested with a white glaze and decorated, 


in the Chinese manner, in dark blue, with a four-toed dragon on 


a ground diapered with flowers and ‘leaves. 
Height, 11% inches. 


115—Hirato PorceLain VASE OF THE EARLY 19TH CENTURY 
Spherical body with incurved cylindrical neck, flaring rim and 
looped handles modeled as three-toed dragons. Invested with a 
blanc-de-Chine glaze and decorated, in relief, with cloud forms, 
shaped panels of chrysanthemums and a looped border. Dupli- 


cate in the Metropolitan Museum of Art. 
Height, 12 inches. 


116—JAPANESE PORCELAIN VASE 


Inverted pear-shape with annular rim. Decorated with incised 
bands of key patterning and panels of scrollings of a Chinese 
character. Invested with a blanc-de-Chine glaze. 


Height, 12% inches. 


117—CHINESE PORCELAIN VASE 


Inverted pear-shaped body with annular rim. Invested with a 
sang-de-boeuf glaze. Marked with maker’s name. 
Height, 12% inches. 


118—CHINESE PORCELAIN VASE OF THE CH’IEN-LUNG PERIOD 
Tapering cylindrical shape with annular rim. Invested with a 
double crackled cream-colored glaze. 
Height, 4°4 inches. 
119—CHINESE PORCELAIN VASE 


Cylindrical shape with rounded shoulders and foot. Invested 
with an apple-green glaze. 
Height, 5 inches. 


First Afternoon 


120—CHINESE PORCELAIN VASE OF THE CH’IEN-LUNG PERIOD 
Inverted pear-shaped body with cylindrical neck and projecting 
rim. Invested with a sang-de-beuf glaze. Four-character mark 


in blue. 
Height, 5% inches. 


i21—Pair oF CHINESE PoRCELAIN PLATES 
Circular shape with scalloped edges. Invested with a white glaze 
and decorated, in dark blue, with Chinese pagodas, bridge and 


trees and with zigzag and looped borders. 
Diameter, 8% inches. 


122—CHINESE PORCELAIN GINGER JAR OF THE CH’IEN-LUNG PERIOD 
Pear-shaped with flat removable cover. Invested with a canary 
yellow glaze and decorated, in colored enamels, with a diaper of 
bats, Show-figures, peach fruits and leaves, and a band of key 


pattern. 
Height, 9 inches. 


123—CHINESE PORCELAIN VASE OF THE CH’IEN-LUNG PERIOD. 


Inverted pear-shaped body with small incurved cylindrical neck. 


Invested with a sang-de-beuf glaze. 
Height, 9 inches. 


124—-CHINESE PORCELAIN VASE OF THE CH’IEN-LUNG PERIOD 


Bottle-shaped body with cylindrical neck and spreading rim. In- 


vested with a rose-du-Barry glaze. 
Height, 10 inches. 


125—CANTON PORCELAIN GINGER-JAR 
Ovolo-shaped body with flat, straight-sided cover. Invested with 
a bluish white glaze and decorated, in dark blue, with a Chinese 
landscape of a lake, a boat, buildings and trees. 


126—CHINESE PORCELAIN VASE IN THE STYLE OF THE MING Dynasty | 


Pear-shaped body with incurved neck and foot. Invested with a 


light green celadon glaze. 
Height, 12 inches. 


127—CHINESE PORCELAIN VASE 
Pear-shaped body with incurved cylindrical neck. Invested with 


a sang-de-beuf glaze. 
Height, 16 inches. 


First Afternoon 


128—CHINESE PORCELAIN VASE 


Tapering rectangular-shaped body, with incurved cylindrical neck. 
Invested with a white glaze and decorated, on a black ground, 
with branches of prunus blossom and other flowers, birds and 


rock forms. 
Height, 191% inches. 


]29—CHINESE PORCELAIN VASE 


Inverted pear-shaped body with incurved cylindrical neck. In- 
vested, as to the exterior, with a sang-de-beuf glaze and as to the 


interior, with a crackled celadon glaze. 
Height, 22 inches. 


130—SeEt or NINE CHINESE LowEsToFrtT PorcELAIN Mucs OF THE 18TH 
CENTURY. 
Cylindrical shape with looped handles. Invested with a white 
glaze and decorated, in red and gold, with floral sprays. 


Height, 2%4 inches. 


Note: These mugs belonged to a Mrs. Wardwell in 1816, as accompany- 
ing documents show. Given by General Washington to his first Secretary 
of the Treasury. 


131—Two CuinesE LowesTtortT PoRCELAIN TEACUPS OF THE I8TH 
CENTURY 
Cups without handles. Invested with a white glaze. One printed 
in black with U. S. Coat-of-arms and meander border; one decor- 
ated, in gold, with traces of a floral spray. 


132—Two CHINESE LOWESTOFT PORCELAIN CUPS AND SAUCERS OF THE 
18TH CENTURY 
Cups without handles. Invested with a white glaze and decor- 
ated, in blue, red and gold, with bands of ornament and floral 
sprays. 


133—CHINESE LoweEstortT PorRcELAIN Muc AND CovER OF THE I8TH 
CENTURY 


Coupe-shaped body, with twisted looped handle, domed cover and 
almond and leaf finial. Invested with a white glaze and decor- 
ated, in brown, red and gold, with bands of pointed leaves and 
berries and with a circular medallion occupied by a Chinese 


landscape and pavilion. 
Height, 3% inches. 


First Afternoon 


134—CHINESE LoweEsTorT PoRCELAIN CREAM EWER OF THE 18TH CEN- 
TURY 


Helmet-shaped, with looped rustic handle and circular foot. In- 
vested with a white glaze, and decorated, in sepia, with a band 
of husk patterning and a vignetted Chinese landscape. (Restored.) 

Height, 4% inches. 


135—CHINESE LOWESTOFT Ewer AND STAND OF THE 18TH CENTURY 


Pear-shaped ewer with twisted looped handle and pointed spout 
and oval stand with scalloped rim. Invested with a white glaze 
and decorated, in brown and blue, with borders of vine leaves 
and grapes and with baskets of flowers. 

Height, 444 inches. 


136—CHINESE LOWESTOFT PORCELAIN TEAPOT OF THE 18TH CENTURY 


Cylindrical body, domed cover with mulberry finial, straight 
spout and twisted looped handle. Invested with a white glaze 
and decorated, in colored enamels, and gold, with floral borders, 
bands of blue with dotted circle of gold and circular medallions 
enclosing floral sprays. 


137—CHINESE LOWESTOFT PORCELAIN TEAPOT OF THE 18TH CENTURY 


Cylindrical body, flat cover with mulberry finial, straight spout 
and twisted looped handle. Invested with a white glaze and dec- 
orated, in red and blue, with bands of bamboo patterning and 
with floral sprays in colors. (Cracked.) 

Height, 514 inches. 


ENGLISH, DUTCH AND OTHER CHINA 


138—LiverRPooL Muc oF THE EARLY 19TH CENTURY 


Cylindrical shape with looped handle. Invested with a gray 
glaze and printed, in sepia, with oval medallions occupied by 
portraits of Washington and Lafayette surmounted by an Ameri- 
can Eagle. B., No. 472. 

Height, 2% inches. 


139—ELerRS WARE TEAPOT OF THE 18TH CENTURY 


Octagonal shape with looped rustic handle, straight silver spout, 
flat cover secured by silver chain and “guinea-pig” finial. Red 
terra-cotta, unglazed, the sides and lid decorated, in relief, with 
“Singeries”’ and panels of classic figures. 

Height, 3% inches. 


First Afternoon 


140—LEEDs WARE CREAM EWER OF THE 18TH CENTURY 


Boat-shaped body with scalloped edge, curved spout, reeded 
looped handle and three legs with paw feet. Invested with a 
cream-colored glaze and decorated, in relief, with scrolled vine 
leaves and grapes. (Cracked.) 

Height, 2%4 inches. 


]41—LrEEpDs WARE CREAM EWER OF THE EARLY 19TH CENTURY 


Boat-shaped with curved spout and looped handle. Black body 
invested with a black glaze and decorated, in relief, with acan- 
thus-leaf scrollings and a band of Prince-of-Wales feathers. 
(Repaired. ) 

Height, 4% inches. 


142—LivERPOOL WARE Muec oF THE 18TH CENTURY 


Cylindrical body, molded circular foot and flat looped handle. 
Invested with a white glaze. 


143—DeELFT WARE EWER OF THE 18TH CENTURY 


Pear-shaped with pointed spout and looped handle. Invested 
with a white glaze and decorated, in dark blue, with a Chinese 
pagoda and pavilion. 

Height, 3% inches. 


144—LrEps BLack WARE TEAPOT OF THE 18TH CENTURY 


Globular-shaped body, with domed cover, curved spout and flat 
looped handle. Invested with a black glaze and decorated, in 
relief, with acanthus-leaf rinceaux, and a border on a dotted 
ground. (Lid repaired, original finial replaced by one of metal.) 


Height, 4 inches. 


145—Two Lreeps Ware Pepper Pots or THE 18TH CENTURY 


One with pear-shaped and one with cylindrical body with pierced 
domed tops. Invested with a cream-colored glaze and decorated 
with bands, in relief and painted blue, of combed pattern. (One 
finial missing. ) 

Heights, 5% and 5% inches. 


First Afternoon 


146—LeEEps WarRE Fruit BASKET AND STAND OF THE 18TH CENTURY 


Octagonal basket with straight spreading sides pierced in a dia- 
mond trellis-work pattern and with projecting looped and scrolled 
handles. Octagonal stand with rim pierced in a diamond pattern. 
Invested with a white glaze and printed, in dark blue, with a pat- 
tern of a shepherd and flock of sheep in a Gothic ruin and with 
a scrolled and floral border. 


Height, 4 inches; length, 10 inches; width, 74% inches. 


147—ENGLISH PoTTERY TEAPOT OF THE 18TH CENTURY 


Cylindrical body, domed cover with a diamond finial, curved 
dragon-headed spout and looped handle. Red body invested with 
a black glaze and decorated, in relief, with Wedgwood subjects 
of “Venus and Cupid” and “Nymphs and Cupid,” and with a 
diamond-checkered border. Mark S. and G. (Slight crack.) 


Note: Probably made at Isleworth, near London, by Shore & Goulding, 
better known as makers of “Welsh” or streaked ware. 


148—SetT or Four DAVENPORT POTTERY SAUCERS OF THE EARLY 19TH 
CENTURY 


Circular shape with spreading rims. Invested with a white glaze 
and printed, in dark blue, with a pattern of a vase of flowers and 


bird and a floral border. 


Diameter, 5% inches. 


149—F ive CHINESE AND STAFFORDSHIRE PORCELAIN POTTERY SAUCERS 
Circular shape. Invested with white glaze and decorated, two 
with Chinese pagodas in blue, one with a bird and floral festoons 
in colors, one with a Swiss landscape and buildings in blue and 
one with an acanthus-leaf border, in relief and blue. 


Diameter, 54%, 4% and 4 inches. 


150—Two Dutcyu Pottery Bowls AND COVERS OF THE 18TH CENTURY 


Coupe-shaped with domed covers and acorn finials. Invested with 
a white glaze and decorated, in dark blue, with floral scrolls, 
quatrefoils and leaves. 


Heights, 4°4 and 4% inches; diameters, 5 and 4 inches. 


151—DutcuH Pottery Bow. AND COVER OF THE 18TH CENTURY 


Coupe-shaped, with domed cover and mushroom finial. Invested 
with a white glaze and decorated with horizontal bands and lines 
of light green. 

Height, 4% inches; diameter, 5 inches. 


First Afternoon 


152—PorTUGUESE GLAZED EARTHENWARE BEAKER OF THE 18TH CEN- 
TURY 

Barrel-shaped body with flat looped handle. Red body invested 

with a dark brown glaze stopping short of the foot. (Chipped.) 


Height, 5 inches. 


Notet: This, as well as Nos. 153 and 154, was probably brought to this 
country in Revolutionary times. 


153—PoRTUGUESE GLAZED EARTHENWARE PITCHER OF THE |8TH CEN- 
TURY 


Pear-shaped body with pointed spout and flat looped handle. Red 
body, invested with a green glaze mottled with red and stopping 
short of the foot. (Chipped.) 

Height, 614 inches. 


154—PorTUGUESE GLAZED EARTHENWARE PITCHER OF THE 18TH CEN- 
TURY 
Pear-shaped body with pointed spout and looped handle. Dark 
red body, invested with a green glaze mottled with red and 
stopping short of the foot. 
Height, 8% inches. 


155 


SPANISH EARTHENWARE SLIPWARE EWER OF THE Mip-18TH CEN- 
TURY 


Pear-shaped body with pointed spout and flat looped handle. In- 
vested with a canary-yellow glaze and decorated, in modeled slip, 
glazed in colors, with circular rosettes and branches of flowers 
and leaves. 

Height, 734 inches. 


156—DutcH PoTTeRY TEAPOT AND SUCRIER OF THE 18TH CENTURY 


Pear-shaped sucrier and teapot with domed cover, curved spout 
and looped handle. Invested with a white glaze and painted, in 
colors, the teapot with floral and leaf scrolls, the sucrier with 
spongings in blue and floral sprays. (Sucrier repaired.) 


Height of sucrier, 5% inches. 


157—Two Dutcu Pottery BowLs oF THE 18TH CENTURY 


Coupe-shaped with straight side and rims. Invested with a white 
glaze and decorated in orange, blues, green and black, with qua- 
trefoil medallions and borders edged with trefoiled leaves. 


Height, 2 inches; diameter, 74% inches. 


First Afternoon 


158—Dutcu Pottery Fruit Dish AND PLATE OF THE 18TH CENTURY 
Quatrefoil and circular shapes. Invested with a white glaze and 
decorated, in colors, with floral borders, the plate having a floral 


spray as center. 
Diameters, 8% and 6°%4 inches. 


159—Deurt PLATE OF THE 18TH CENTURY 


Circular shape with flat rim. Invested with a white glaze and 
decorated, in blue, with a central vase of flowers, and a border 
of panels of white reserve occupied by scrollings and separated 


by fruit and leaves. 
Diameter, 9 inches. 


160—Two Detrr WarRE PLATES OF THE 18TH CENTURY 


Circular shape. Invested with a white glaze and decorated, in 
dark blue, with floral scrolls and leaves. (Chipped. ) 


Diameters, 9 and 7 inches. 


First Afternoon 


161—PENNSYLVANIA DuTcH SLIPWARE PIE PLATE 18TH CENTURY 
Circular shape with serrated edge. Dark red body, invested with 
a red glaze and decorated, in yellow slip, with a quatrefoil 


scrolled medallion. 
Diameter, 9 inches. 


162—PENNSYLVANIA DutcH SuiipwarRE Pie PLate 18TH CENTURY 
Circular shape with serrated edge. Dark red body, invested with 
a red glaze and decorated, in yellow slip, with a quatrefoil 


scrolled medallion. 
Diameter, 10 inches. 


163—PENNSYLVANIA DutcH SiipwaRE Pie PLATE 18TH CENTURY 
Circular shape with serrated edge. Dark red body, invested 
with a red glaze. Decorated in yellow slip with the inscription 
“James” in text and scrollings. (Chipped. ) 
Diameter, 10 inches. 


(Illustrated ) 


164—PENNSYLVANIA DuTCcH SLIPWARE PIE PLATE 18TH CENTURY 
Circular shape with a serrated edge. Dark red body, invested 
with a red glaze and decorated, in yellow slip, with a hexalobed 
medallion of scrollings. (Chipped.) 


Diameter, 11 inches. 


165—PENNSYLVANIA DuTcH SLIPWARE Piz PLATE 18TH CENTURY 


Circular shape with a serrated edge. Dark red body, invested 
with a red glaze and decorated, in yellow slip, with bands of 


parallel straight and waved lines. 
Diameter, 12 inches. 


166—PENNSYLVANIA DutTcH SLIPWARE BrEAD DisH 18TH CENTURY 


Rectangular shape with straight rim and serrated edge. Dark 
red body, invested with a red glaze and decorated, in yellow 
slip, with the inscription in rude script, “Patience & temperance.” 


Length, 15% inches; width, 10% inches. 


(Illustrated ) 


3 


16 


166 


First Afternoon 


J67—NEALE WARE PLATTER OF THE 18TH CENTURY 


Oval shape with modeled basket-work center and open basket- 
work rim. Invested with a cream-colored glaze. Mark: “NEALE 
& CO.” 

Length, 10% inches; width, 8% inches. 


168—ENGCLISH PEWTER TEAPOT OF THE 18TH CENTURY 
Pear-shaped body with curved spout, looped handle and winged 
domed cover with pointed baluster-shaped finial. 


Height, 6% inches. 


169—ENcLISH PEWTER SUCRIER OF THE EARLY 19TH CENTURY 


Pear-shaped body with pointed gadroons, domed molded cover, 
pointed finial, looped scrolled handles and circular molded foot. 
Rim decorated, in relief, with a band of vine leaves and grapes. 


Height, 9 inches. 


170—EarLy AMERICAN PEWTER COFFEE-POT. 


Octagonal molded pear-shaped body, with hinged domed cover, 
wooden mushroom finial, curved spout, looped wooden handle 
and octagonal molded foot. Mark: “Roswell Gleason.” 


Height, 10 inches. 


SECOND AND LAST AFTERNOON’S 
SALE 


TUESDAY, MARCH 30, 1920 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O'CLOCK 


STAFFORDSHIRE POTTERY 


171—SEVEN STAFFORDSHIRE PoTTERY Cup PLATES OF THE EARLY 19TH 
CENTURY 

Circular shape, with curved rims. Invested with a white glaze. 

Five printed, in sepia, carmine, gray and dark blue, with various 

patterns and two painted, in green and blue, with floral sprays. 


Diameters, 4%, 3% and 3 inches. 


172—SET OF THREE STAFFORDSHIRE POTTERY CUP PLATES OF THE 
EarLy 19TH CENTURY 
Circular shape with curved rims. Invested with a white glaze 
and printed, in dark blue, with circular medallion of a running 
dog and border of scrolls, a rat, a badger and a weasel. 


Diameter, 4°4 inches. 


Second and Last Afternoon 


173—Two STAFFORDSHIRE POTTERY CUPS AND SAUCERS OF THE 18TH 
CENTURY 


Cups without handles, one with fluted body. Invested with a 
white glaze and decorated, one in blue, red, green and yellow 
with a Derby “Japan” pattern, one with borders of brown pat- 
terned in black with bands of flowers and leaves. 


174—Pair OF STAFFORDSHIRE POTTERY CUPS AND SAUCERS OF THE 
EARLY 19TH CENTURY 


Cups without handles. Invested with a white glaze and printed, 
in purple, with circular medallion of a Putto and goats sur- 
rounded by a ground patterned with scrolls and birds. 


175—Two STAFFORDSHIRE Pottery Cups AND SAUCERS OF THE EARLY 
19TH CENTURY 


Cups with looped handles. Invested with a white glaze, one 
painted and one printed, in colors, with patterns of flowers and 
leaves. 


176—SET OF THREE STAFFORDSHIRE POTTERY CUPS AND SAUCERS OF 
THE EarRLy 19TH CENTURY 


Cups without handles. Invested with a white glaze and printed, 
in dark blue, with a view of “Castle Toward” and floral borders. 


Mark: R. E. Hall and Sons. 


177—FIvE STAFFORDSHIRE PoTTERY CUPS OF THE EARLY 19TH CEN- 
TURY 


Straight sides, three without handles, two with looped handles. 
Invested with a white glaze and printed, in dark blue, with 
panels of landscapes, houses and floral designs. 


178—PorTION OF A STAFFORDSHIRE POTTERY TEA SET OF THE I8TH 
CENTURY 


Quatrefoil-shaped sucrier with ear handles and cover with swan 
finial, boat-shaped cream ewer and cup without handle. Invested 
with a white glaze and decorated, in pink, with bands of hatched 
diapering and, in colors, with floral sprays. All in the Chinese 
Lowestoft manner. Set consists of sucrier, ewer and cup and 
saucer. 


179—STAFFORDSHIRE PoTTERY Muc oF THE 18TH CENTURY 


Cylindrical shape with looped handle and molded foot. Invested 
with a white glaze and decorated with bands of blue and a broad 
band of brown patterned, in black, with moss design. (Cracked. ) 


Height, 5 inches. 


Second and Last Afternoon 


180—STAFFORDSHIRE POTTERY SUCRIER OF THE I18TH CENTURY 


Oval shape with domed cover, quatrefoil finial, and projecting 
looped handles. Invested with a white glaze and decorated, in 
blue, with bands and lines. Hoh paaiaches 


Note: This sucrier formerly belonged to Fenimore Cooper of Coopers- 
town. 


181—STAFFORDSHIRE POTTERY CREAM EWER OF THE EARLY LOTH CEN- 
TURY 


Boat-shaped with curved spout and looped handle. Invested with 
a white glaze and decorated with a floral and leaf meander in 


colors. Height, 4°4 inches. 


182—STAFFORDSHIRE POTTERY SUCRIER OF THE EARLY 1OTH CENTURY 


Pear-shaped body, domed cover, pear finial and projecting looped 
handles. Brown earthenware invested with a glaze and decorated, 
in relief, with clusters of fruit and leaves and with a border of 


C-scrolls. Height, 4% inches. 


183—Two STAFFORDSHIRE POTTERY SUCRIERS OF THE EARLY l9TH 
CENTURY 


Rectangular vase-shaped bodies with scrolled handles. Invested 
with a white glaze and printed, in dark blue, with female angels, 
building, floral border and scrolls and flowers. (Covers missing. ) 


Height, 5 inches. 


184—Two STAFFORDSHIRE POTTERY SUCRIERS OF THE EARLY 19TH 
CENTURY 


Rectangular and hexagonal vase-shaped bodies, domed covers, 
mushroom finials and scrolled handles. Invested with a white 
glaze and printed, in dark blue, with landscape and shell, eagle 
and floral borders. (Finials restored. ) ERT ee 


185—STAFFORDSHIRE POTTERY TEAPOT OF THE EARLY 19TH CENTURY 


Rectangular vase-shaped body, domed cover, floral finial, curved 
spout and looped handle. Invested with a white glaze and 
printed, in dark blue, with a pattern of scrolls, flowers and leaves. 


186—STAFFORDSHIRE POTTERY TEAPOT OF THE EARLY 19TH CENTURY 


Rectangular vase-shaped body, pinnacle cover, mushroom finial, 
curved spout and looped handle. Invested with a white glaze and 
printed, in dark blue, with a landscape, tower, ship and figure 
and with a floral border. 


Second and Last Afternoon 


187—STAFFORDSHIRE PotTrery TEAPOT OF THE EARLY 19TH CENTURY 
Octagonal vase-shaped body, pinnacle cover, curved spout and 
looped handle. Invested with a white glaze and printed, in dark 
blue, with the “Harp” pattern of a youth playing the harp and 
surrounded by casks and shipping and with a floral border. 
Mark: R. Stevenson. (Finial missing.) 


188—Two STAFFORDSHIRE PoTTERY TEAPOTS AND SoAP DIsH OF THE 
EarLy 19TH CENTURY 

Teapots with globular and fluted pear-shaped bodies, domed 
covers, ball finials, curved spouts and looped handles. Soap dish 
of octagonal shape with domed cover and pointed finial. In- 
vested with a white glaze. Teapots, printed, one in blue, with 
a pattern of English landscapes in circular medallions and floral 
scrolls, one in colors with a youth fishing, floral scrolls and 
medallioned borders. Soap dish decorated with floral sprays, in 
relief and blue. 


189—Two STAFFORDSHIRE PORCELAIN AND POTTERY PITCHERS OF THE 
19TH CENTURY 

One pear-shaped, one tapering hexagonal-shaped with pointed 

spouts and looped handles. Invested with a white glaze and 

decorated, one, in relief and light blue, with bands of floral pat- 

terning, one printed, in flowing purple, with a Chinese pagoda 


and trees. 
Heights, 5°4 and 4% inches. 


190—STAFFORDSHIRE POTTERY SALAD BowL OF THE EARLY 19TH CEN- 
TURY 
Octagonal-shaped body with incurved sides, upright looped 
handles and octagonal scrolled foot. Invested with a white glaze 
and printed, in light blue, with the “Ancient Ruins” pattern. 


Height, 6 inches. 


191—Two STAFFORDSHIRE POTTERY SUCRIERS OF THE EARLY 197H 
CENTURY 
One oval, one octagonal shape, with domed covers and floral 
finials, one with shell and one with looped handles. Invested 
with a white glaze. One painted in colors with floral sprays, one 
printed in blue, with landscape, pavilion and floral borders. 


Heights, 6 and 5% inches. 


Second and Last Afternoon 


192—-Two STAFFORDSHIRE POTTERY SUCRIERS OF THE EARLY lOTH 
CENTURY 


Oval-shaped with domed covers, fluted mushroom finials and fe- 
male mask handles. Invested with a white glaze and printed, in 
purple, with figure subjects and floral borders. 


Height, 6% inches. 


193—STAFFORDSHIRE POTTERY TEAPOT AND SUCRIER OF THE 18TH 
CENTURY 

Pear-shaped bodies, domed covers, fluted mushroom finials and 

rosetted feet. Sucrier with scrolled handles, teapot with curved 

dragon-head spout and looped handle. Invested with a white 

glaze and decorated, in colors, with bands of strawberries, ten- 

drils and leaves and with borders of flowers, leaves and scrolls. 


Height of sucrier, 6% inches. 


]94—Two STAFFORDSHIRE POTTERY AND PORCELAIN TEAPOTS OF THE 
EarLy 19TH CENTURY 
One octagonal shape with incurved sides, one rectangular shape, 
domed covers, mushroom finials and curved spouts. Invested 
with a white glaze. One printed, in green, with subject of sailing 
ships and a scrolled border; one painted, in colors, with leaf 
scrolls and fans. 


195—STAFFORDSHIRE POTTERY SUCRIER AND CREAM EWER OF THE 18TH 
CENTURY 

Quatrefoil-shaped bodies and scrolled feet. Sucrier with domed 

cover, floral finial and scrolled handles, ewer with curved spout 

and looped handle. Invested with a white glaze and decorated, in 

colors, with bands of strawberries, tendrils and leaves and with 


borders of flowers, leaves and scrolls. 
Heights, 6 and 3%4 inches. 


196—STAFFORDSHIRE PoTTERY SUCRIER AND CREAM EWER OF THE 
EarLy 19TH CENTURY 
Cylindrical fluted bodies, looped handles. Sucrier with domed 
cover and mushroom finial. Invested with white and cream- 
colored glazes and decorated with floral and pointed-leaf scrolls 


in colors. 
Heights, 64% and 5 inches. 


197—STAFFORDSHIRE PoTTERY TEAPOT OF THE EARLY 19TH CENTURY 
Hexagonal vase-shaped body, pinnacle cover, pointed finial, 
curved spout and looped handle. Invested with a white glaze 
and printed, in dark blue, with a floral pattern. 


Second and Last Afternoon 


198—STAFFORDSHIRE POTTERY TEAPOT OF THE EARLY 19TH CENTURY 


Rectangular vase-shaped body, pinnacle cover, rectangular mush- 
room finial, curved spout and looped handle. Invested with a 
white glaze and printed, in dark blue, with a subject of “The Stag 
Hunt” and a floral border. 


199—-STAFFORDSHIRE POTTERY SAUCE TUREEN OF THE 19TH CENTURY 


Pear-shaped body with projecting ear handles and domed cover 
with floral finial. Invested with a white glaze and printed, in 
light blue, with a pattern of a youth driving a two-horsed chariot, 
buildings and trees. 

Height, 6% inches. 


200—STAFFORDSHIRE POTTERY ““TEMPERANCE” SAUCE TUREEN AND CUP 
AND SAUCER OF THE 19TH CENTURY 


Octagonal-shaped tureen with curved sides, projecting looped 
handles, domed cover and mushroom finial. Cup without handle. 
Invested with a white glaze and printed, in black, with the arms 
and mottoes of the “Temperance Society.” 

Height, 6 inches. 


201—STAFFORDSHIRE PoTTERY PITCHER OF THE 18TH CENTURY 


Pear-shaped body, pointed spout and flat looped handle. In- 
vested with a cream-colored glaze and decorated with bands of 
yellow patterned with spongings of blue and brown, divided by 
brown lines. (Chipped. ) 

Height, 7 inches. 


202—Four PIECES OF STAFFORDSHIRE POTTERY OF THE I8TH AND 
EARLY 19TH CENTURIES 


Two coupe-shaped salt cellars with incurved stems, one invested 
with a white glaze, and decorated, in dark blue, with a band of 
combing; one invested with a yellow glaze and decorated, in light 
blue, with a band of sponging. Cylindrical-shaped mug with 
looped handle, decorated, in relief and purple lustre, with floral 
sprays. Saucer printed, in black, with a subject of “Mother and 
Child.” (Mug repaired.) 


Various sizes. 


203—Two STAFFORDSHIRE POTTERY SUCRIERS OF THE EARLY 19TH 
CENTURY 

Rectangular vase-shaped bodies with rounded angles, domed cov- 

ers, one with gadrooned finial, and scrolled and medallion 

handles. Invested with a white glaze, and printed, in dark blue, 

with English landscape, figures and foliage. (One finial faulty.) 


Height, 6% inches. 


Second and Last Afternoon 


204—Two STAFFORDSHIRE POTTERY SUCRIERS OF THE EARLY 19TH 
CENTURY 


Rectangular and octagonal vase-shaped bodies, domed covers, one 
with bird finial and one with scrolled handles. Invested with a 
white glaze and printed, in dark blue, with an oval medallion of 
landscape and building, a standing figure of a youth with dog 
and floral borders. One with borders of purple lustre. One with 
handles and finial missing. 

Heights, 6°4 and 5% inches. 


205—STAFFORDSHIRE STONEWARE SUCRIER AND CREAM EWER OF THE 
19TH CENTURY 


Circular shape, with straight looped handles, the sucrier with 
domed cover and acanthus-leaf finial. Interiors glazed in gray, 
exteriors unglazed and decorated, in relief, with Gothic-arched 
niches containing figures of Saints. Marks: “Charles Meigh, 
Hanly” (incised). 

Heights, 6% and 4 inches. 


206—STAFFORDSHIRE POTTERY SUCRIER AND CREAM EWER OF THE 
EARLY 19TH CENTURY 


Sucrier with octagonal tapering body and domed cover, ewer 
with hexagonal boat-shaped body and looped handle. Invested 
with a white glaze and printed, in flowing dark blue, with a 
pattern of a pavilion and trees and with scrolled borders. (Sucrier 
repaired. ) , 

Heights, 7 and 5% inches. 


207—STAFFORDSHIRE POTTERY PITCHER OF THE EARLY 19TH CENTURY 


Pear-shaped body, pointed spout, looped handle and molded foot. 
Invested with a white glaze and printed, in dark blue, with the 
“Water Girl” pattern, a girl at a well, and with a floral border. 


Height, 7%4 inches. 


208—Two STAFFORDSHIRE POTTERY SUCRIERS OF THE EARLY 19TH 
CENTURY 


Rectangular vase-shaped bodies with pinnacle covers, pointed 
finials and voluted and medallion handles. Invested with 
a white glaze and printed, in dark blue, with subjects of the 
“Water Girl,” Early Locomotive drawing a coach, “The Wood- 
cutters” and floral borders. 

Height, 7 inches. 


Second and Last Afternoon 


209—THREE STAFFORDSHIRE POTTERY SUCRIERS OF THE EARLY 19TH 
CENTURY 


Rectangular oval and octagonal vase-shaped bodies, domed cov- 
ers, pointed and mushroom finials, looped, scrolled and mask 
handles. Invested with a white glaze and printed, in dark blue, 
with English cottage scene, oval medallion of a bird and flow- 
ers, basket of flowers and scroll and floral borders. (One handle 
restored. ) 

Heights, 7 and 5%4 inches. 


210—STAFFORDSHIRE POTTERY SAUCE TUREEN AND STAND AND LADLE 
OF THE EarRLy 19TH CENTURY 


Tureen with octagonal vase-shaped body, pinnacle cover, ga- 
drooned finial and projecting looped handles, octagonal stand 
with scalloped edge, ladle with circular bowl. Invested with a 
white glaze and printed, in dark blue, with the “Drama”’ series 
of scenes from the plays, “The Maid of the Mill” and “The Re- 
venge,’ and with floral borders. Made by Rogers. (Ladle 
broken. ) 

Height, 6% inches. 


211—SEtT oF THREE STAFFORDSHIRE STONEWARE PITCHERS OF THE 
19TH CENTURY 


Pear-shaped bodies, curved spouts and looped handles with 
female bust thumbpieces. Interiors glazed in buff color. Ex- 
teriors unglazed and decorated, in relief, with acanthus-leaf 
scrolling and volutes divided by Satyrs’ masks. 


Heights, 8%, 6% and 5% inches. 


212—STAFFORDSHIRE POTTERY SAUCE TUREEN, STAND AND THREE 
PLATES OF THE EARLY 19TH CENTURY 


Octagonal-shaped tureen with incurved sides, looped handles and 
domed cover with flower finial, octagonal tray with looped 
handles, circular plates. Invested with a white glaze, and printed, 
in light blue, with the “Ancient Ruins” pattern. 


Height of tureen, 6% inches; diameters of plates, 10’ and 9 inches. 


213—STAFFORDSHIRE POTTERY PITCHER OF THE EARLY 19TH CENTURY 


Hexagonal, incurved body, pointed spout and flat looped handle. 
Invested with a white glaze and printed, in black, with the 
“Beauties of China” pattern, being a view of a Chinese land- 
scape. 


Height, 8 inches. 


Second and Last Afternoon 


214—STAFFORDSHIRE STONEWARE PITCHER OF THE 19TH CENTURY 


Pear-shaped body, curved spout and looped handle. Interior 
glazed in gray, exterior unglazed and decorated, in relief, with 
a figure subject of a “Gypsy Encampment.” Mark: “Jones and 
Walley, Cobridge” (incised). 

Height, 8% inches. 


215—Two STAFFORDSHIRE POTTERY SUCRIERS OF THE EARLY 19TH 
CENTURY 


One oval, one rectangular shape, with domed covers, floral finials 
and looped handles. Invested with a white glaze and printed, 
in carmine and purple, with landscapes and buildings. 


Height, 16 inches. 


216—THREE DAVENPORT AND STAFFORDSHIRE POTTERY SAUCERS OF 
THE EARLY 19TH CENTURY 


Circular shape. Invested with a white glaze and printed, in 
dark blue, with landscapes and a group of flowers, and with 


floral shell and scrolled borders. 


Diameters, 6 and 5% inches. 


217—FivE STAFFORDSHIRE POTTERY SMALL PLATES OF THE EARLY 
19TH CENTURY 


Circular shape with curved rims. Invested with a white glaze 
and printed, in dark blue, with views of Gunton Hall, Hospital 
near Poissy, English landscapes, cottages and floral borders. 


Diameters, 742, 6% and 6 inches. 


218—ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19TH CENTURY 


Circular shape with curved rim and scalloped edge. Printed, in 
purple, with a subject of “The Residence of the late Richard 
Jordan, New Jersey” and a scrolled and floral border. Barber, 


No. 314. 


Diameter, 6°4 inches. 


219—F ive STAFFORDSHIRE POTTERY PLATES OF THE EARLY 19TH CEN- 
ARUN 
Circular shape with flat and curved rims. Invested with a white 
glaze and printed, in dark blue, with figure subjects, landscapes, 
views of “Fulham Church,” and “Ghaut of Cutwa” and floral 
borders. (One cracked. ) 


Diameter, 8 inches. 


Second and Last Afternoon 


220—Two STAFFORDSHIRE PORCELAIN AND PoTTERY PLATES 


Circular shape. Invested with a white glaze and printed, one in 
sepia, with a subject of the “Duke of Wellington’s Return,” one 
in colors and with a purple border, with the “Philadelphia State 
House.” 

Diameters, 8% and 8 inches. 


221—THREE STAFFORDSHIRE POTTERY PLATES OF THE EARLY 19TH 
CENTURY 

Circular shape, one with scalloped edge. Invested with a white 

glaze and decorated, in colors, one with a Derby “Japan” pat- 

tern; one with roses, tulips and leaves; one with hexalobed flowers 

in red and leaves and medallions in purple lustre. One marked 
“RILEY (impressed) . 

Diameters, 9, 8% and 61% inches. 


222—_ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19TH CENTURY 


Circular shape with curved rim and scalloped edge. Printed, in 
carmine, with a subject of the “William Penn Treaty.” Penn 
standing, companion kneeling and two Indians standing, and 


border of diamond-shaped figures. Barber, No. 308. 


Diameter, 8% inches. 


223—-ANCLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19TH CENTURY 
Circular shape with paneled rim. Printed, in dark blue, with 
a subject of “The Nahant Hotel, Near Boston,” and a border of 
eagles, flowers and scrolls. Barber, No. 199. 


Diameter, 8% inches. 


224—-ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19TH CENTURY 


Circular shape with curved rim and scalloped edge. Printed, in 
black, with a subject of one of the “Picturesque Views” series, 
“View of Baker’s Falls, Hudson River,” and a border of birds 
and flowers. Barber, No. 108. 


Diameter, 8°4 inches. 


225—ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19TH CENTURY 

Circular shape with curved rim and scalloped edge. Printed, 

in carmine, with a subject of “View near Conway, New Hamp- 


shire, U. S.,”’ and a scroll and floral border. Barber, No. 236. 


Diameter, 9 inches. 


Second and Last Afternoon 


226—ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19TH CENTURY 


Circular shape with curved rim and scalloped edge. Printed, in 
sepia, with a subject of the “Millennium,” including Child with 
Lion and All Seeing Eye, and with a fruit and flower border. 
Barber, No. 305. 


Diameter, 9 inches. 


227—SeET OF THREE STAFFORDSHIRE POTTERY PLATES OF THE EARLY 
19tH CENTURY 


Circular shape with curved rims. Invested with a white glaze 
and printed, in carmine, with one of the “Clyde Scenery” series, 
a landscape with cattle. 

Diameter, 9 inches. 


228—FivE AMERICAN PORCELAIN PLATES 


Circular and quatrefoil-shaped with scalloped edges. Invested 
with a white glaze and printed, in colors, with subjects of the 
U.S. S. “Olympia” and “Iowa” and portraits of Admirals Mer- 
rit and Shafter. 

Diameters, 10, 8% and 6%4 inches. 


229—FourR STAFFORDSHIRE POTTERY DINNER PLATES AND ONE Soup 
PLATE OF THE EARLY 19TH CENTURY 


Circular shape, with curved rims. Soup plate with scalloped 
gadrooned edge. Invested with a white glaze and printed, in 
dark blue, with views of Llanarth Castle, buildings, lion and 
other animals and with floral and scrolled borders. 


Diameters, 10 and 8% inches. 


230—Four STAFFORDSHIRE POTTERY PLATES OF THE EARLY l9TH 
CENTURY 


Circular shape with curved rims and scalloped edges. Invested 
with a white glaze and printed, in carmine, the center of one in 
green, with various patterns and _ borders. 


Diameters, 10 and 9 inches. 


231—SeET oF FIvE STAFFORDSHIRE POTTERY PLATES OF THE EARLY 
19TH CENTURY 
Circular shape with curved rims. Invested with a white glaze 
and printed, in dark blue, with still-life subject of fruits and a 
bird and with scrolled and floral borders. Set consists of two 
soup plates, two dinner plates and one breakfast plate. 


Diameters, 10 and 7% inches. 


Second and Last Afternoon 


232—-Two STAFFORDSHIRE POTTERY PLATES OF THE EARLY 19TH CEN- 
TURY 


Circular shape with curved rims, one with a scalloped edge. In- 
vested with a white glaze and printed, in green and blue, with a 
sailing ship and Féte Champétre group. 

Diameter, 10 inches. 


933—STAFFORDSHIRE PoTTERY Soup PLATE AND DINNER PLATE OF 
THE EarRLY 19TH CENTURY 


Circular shape with curved rims. Invested with a white glaze and 
printed, in dark blue, with views of English landscapes and cows, 
and with floral borders. (One chipped.) 


Diameter, 10 inches. 


234—ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19tTH CENTURY 


Circular shape with curved rim and _ beaded scalloped edge. 
Printed, in carmine, with a subject of “A View of the Canal. 
Little Falls, Mohawk River,” and a floral and scrolled border. 
Barber, No. 273. 


Diameter, 10% inches. 


235—ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19TH CENTURY 


Circular shape with curved rim and scalloped edge. Printed, in 
sepia, with a subject of the “Millennium” including Child with 
Lion and All Seeing Eye, and with a fruit and flower border. 
Barber, No. 305. 


Diameter, 10% inches. 


236—Two STAFFORDSHIRE POTTERY PLATTERS OF THE EARLY 19TH 
CENTURY 


Octagonal shape with curved and flat rims. Invested with a white 
glaze and printed, in dark blue, with subjects of “Erith on the 
Thames” and “St. Peter’s College, Cambridge,” with borders of 
flowers, scrolled panels and shells. Barber, Nos. 49f and 106f. 
(Cracked. ) 

Lengths, 15 and 13 inches; widths, 11 and 10 inches. 


237—F OUR STAFFORDSHIRE POTTERY PLATTERS 
Octagonal shape with curved and flat rims. Invested with a white 
glaze and printed in gray, green and sepia with subjects of the 
“Neptune, California,” and “Belzon” patterns, a group of flow- 
ers and a bird, and with borders of flowers, fruits and panels. 


Lengths, 17, 15% and 15 inches; widths, 14, 13 and 12 inches. 


Second and Last Afternoon 


STAFFORDSHIRE ORNAMENTS 


238—STAFFORDSHIRE COTTAGE ORNAMENT OF THE Earty 19TH CeEn- 
TURY 


Figure of a youth in a blue tunic reclining under the branch of a 
tree hollowed so as to form a flower holder on irregularly shaped 
base. 

Height, 4% inches. 


239—STAFFORDSHIRE PORCELAIN FIGURINE OF THE EARLY 19TH CEN- 
TURY 


“The Gardener.” Figure of a youth in rose-colored coat, purple 
knee breeches and white broad brimmed hat. He holds a basket 
of fruits under his left arm. On circular scrolled base. 


Height, 5 inches. 


240—STAFFORDSHIRE PORCELAIN VASE 


Pear-shaped body with cylindrical neck and cover. Invested 
with a white glaze and decorated, on a mottled blue ground, 
with oval octafoil panels of white reserve surrounded by scrolls 
and floral sprays in gold and occupied by exotic birds and flow- 
ers painted in natural colors. All in the Worcester manner. 


Mark: “Crown, Staffs. Painted by R. Hague” in gold. 
Height, 5% inches. 


241—STAFFORDSHIRE PORCELAIN FIGURINE OF THE EarLy 19TH CEN- 
TURY 
Figure of a young girl in blue bodice, green skirt and white 
broad brimmed hat. She holds with her left arm a basket of 
fruits supported on a rocky pedestal. -On shaped rocky base. 


Height, 5% inches. 


242—STAFFORDSHIRE COTTAGE ORNAMENT OF THE Earzty 19TH CEN- 
TURY 

Figure of two girls, one in dark blue tunic, one in blue bodice 

and plaid skirt, supporting between them an orange scarf. On 


oval base. 
Height, 5% inches. 


243—-STAFFORDSHIRE COTTAGE ORNAMENT OF THE EARLY 19TH CEN- 
TURY 

Figure of a girl with green bodice and white skirt holding a 

straw hat in her right hand and seated on a goat. On rocky 


pedestal and shaped oval base. 
Height, 6 inches. 


Second and Last Afternoon 


244—Pair oF Docs, East LIveERPOOL 


Figures of Spaniels seated. Invested with a mottled brown or 
tortoise-shell glaze. 
Height, 5% inches. 


245—STAFFORDSHIRE POTTERY VASE OF THE EARLY 19TH CENTURY 


Pear-shaped body with spreading fluted lip, molded foot and two 
twisted looped handles. Invested with a cream-colored glaze 
and decorated, in relief, and in the Leeds manner, with ivy 
leaves and berries. (Chipped and repaired.) | 
Height, 6% inches. 


246—Two STAFFORDSHIRE BEAKERS OF THE 18TH CENTURY 


Cylindrical bodies with flat and straight looped handles. In- 
vested with a white glaze, one printed in green with figures of 
Britannia and Peace and Chinese border, one painted in colors 
with floral sprays and pointed leaf border. (Both cracked and 
repaired. ) 

Heights, 6 and 5 inches. 


247—STAFFORDSHIRE POTTERY FIGURINE OF THE 18TH CENTURY 


“The Musicians.” Figures of a young man, in purple jacket, 
red vest and yellow knee-breeches standing on a rocky ledge 
with a spring of water below, playing the French horn. At his 
side sits a maiden in a yellow bodice and flowered white skirt 
playing a guitar. On circular foot and rectangular molded base. 


(Guitar broken. ) 
Height, 7 inches. 


Second and Last Afternoon 


248—PatiR OF STAFFORDSHIRE COTTAGE ORNAMENTS OF THE EARLY 
19TH CENTURY 


Figures of Spaniels seated on their haunches. Invested with a 
white glaze, spotted with black and with gilt collars. 


Height, 7% inches. 


249—STAFFORDSHIRE POTTERY FIGURINE OF THE I18TH CENTURY 


Standing figure of a young woman in flowing blue robe, fondling 
a small spaniel which is supported on a rustic pedestal at her 
side. On oval foot and rectangular molded base, decorated with 
pointed acanthus leaves painted brown. 

Height, 7% inches. 


250—STAFFORDSHIRE COTTAGE ORNAMENT OF THE EARLY 19TH CEN- 
TURY 

“Bull Baiting.” Figure of a bull, mottled in red, with lowered 
head, tossing a black spotted bull dog while another, spotted 
with yellow, attacks his head. At one side stands a man with 
yellow jacket and white breeches with hands upraised. On rec- 
tangular base with six feet, painted with floral festoons and in- 
scribed “Bull Baiting” and “Now Captain Lad.” Legs of one 

dog missing. 
Height, 5% inches; length, 8 inches. 


251—STAFFORDSHIRE COTTAGE ORNAMENT OF THE Earty 19TH CEN- 
TURY 

Standing figure of a girl in blue bodice and green skirt holding 

a tambourine and seated figure with blue bodice, orange scarf 

and red and green skirt playing a mandolin. Above is the trunk 

of a tree hollowed to form a flower holder. On irregular rocky 


base. (Repaired.) 
Height, 8 inches. 


252—PairR OF STAFFORDSHIRE COTTAGE ORNAMENTS OF THE EARLY 
19TH CENTURY 
Figure of poodle dogs seated. Invested with a white glaze, the 
faces painted in black and yellow and the collars gilt. 


Height, 9% inches. 


Second and Last Afternoon 


253—PaiR OF STAFFORDSHIRE PORCELAIN FIGURINES OF THE EARLY 
19TH CENTURY 

“The Birds’ Nesters.” Figures of a boy in a rose-colored jacket 

and white knee breeches, and a girl in rose-colored bodice and 

white skirt seated on trunks of trees holding birds in one hand. 

The boy supports a bird’s nest in the other hand, the girl a basket 


of flowers on her lap. Circular bases. 
Height, 7 inches. 


(Illustrated) 


254—STAFFORDSHIRE POTTERY FIGURINE OF THE 18TH CENTURY 


“Hygeia.” Standing figure of a young woman, in classic cos- 
tume of a flowered robe, holding in both hands a serpent. At 
her side is a rectangular altar pedestal with flames. Rectangular 
rocky base. 
Height, 9% inches. 
(Illustrated) 


209—PAIR OF STAFFORDSHIRE PORCELAIN VASES 


Tapering rectangular bodies with incurved cylindrical necks. 
Invested with a white glaze and decorated, on a mottled blue 
ground, with shaped and quatrefoil panels of white reserve sur- 
rounded by rococo scrollings of gold and occupied by exotic 
birds and butterflies painted in natural colors. All in the Wor- 
cester manner. Mark: “Crown, Staffs. Painted by R. Hague” 
in gold. 

Height, 9% inches. 


256—STAFFORDSHIRE POTTERY FIGURINE OF THE 18TH CENTURY 
“Venus.” Standing figure of the Goddess in white flowered robe 
lined with green, holding in her right hand a mirror. On cir- 


cular foot and rectangular base. 
Height, 10% inches. 


257—PAaIR OF STAFFORDSHIRE COTTAGE ORNAMENTS OF THE Mip-19TH 
CENTURY 

“Lord Raglan” and “Marshal St. Arnaud.” Shown as figures 

of soldiers in red coats, white breeches and plumed cocked-hats, 

seated on horseback. Lord Raglan is shown with only one hand, 

Marshal St. Arnaud with his hat in his hand. Inscribed in re- 


lief, with names. On oval bases. 
Heights, 10 and 9% inches. 


Second and Last Afternoon 


258—PairR OF STAFFORDSHIRE COTTAGE ORNAMENTS OF THE EARLY 
19TH CENTURY 


Figure of Robin Hood, in white jacket, green mantle, pink knee 
breeches and plumed hat, holding a spear and with a dog at his 
side. Behind him are trunks of trees, hollowed so as to form 
flower vases. On rectangular scrolled bases. Héiehi, WGae ee 


The references following in regard to the Anglo-American 
pottery are made to “Anglo-American Pottery’? by Edwin 
Atlee Barber. Second Edition, Philadelphia, 1901. 


259—ANCLO-AMERICAN STAFFORDSHIRE POTTERY CUP OF THE EARLY 
19TH CENTURY 

Straight sides without a handle. Printed, in dark blue, with a 

subject of “Landing of Lafayette at New York 1825” and floral 


border. Barber, No. 96. Height, 2% inches; diameter, 4% inches. 


Second and Last Afternoon 


260—THREE ANGLO-AMERICAN STAFFORDSHIRE POTTERY SAUCERS OF 
THE EARLY 19TH CENTURY 


Circular shape, one with scalloped edge. Printed, in dark blue, 
with subjects of “MacDonough’s Victory,” “City Hall, New 
York,” and “Washington at Mount Vernon” and with floral 
borders. Barber, Nos. 6, 207 and 401. (Two cracked.) 


Diameter, 5% inches. 


261—ANcLOo-AMERICAN STAFFORDSHIRE POTTERY SAUCER AND SMALL 
PLATE OF THE EARLY 19TH CENTURY 


Circular shape. Plate with curved rim. Printed, in dark blue, 
with subjects of “Boston State House” with chaise and cows in 
foreground and with floral borders. Barber, Nos. 259 and 260. 
(Chipped and cracked.) 


Diameter, 6% inches. 


262—ANGLO-AMERICAN STAFFORDSHIRE POTTERY TEAPOT OF THE EARLY 
19TH CENTURY 


Octagonal vase-shaped body, pinnacle cover, pointed finial, curved 
spout and looped handle. Printed, in dark blue, with a subject 
of “Commodore MacDonough’s Victory” and floral border. Bar- 


ber, No. 6. 


263—ANGLO-AMERICAN STAFFORDSHIRE POTTERY TEAPOT OF THE EARLY 
19TH CENTURY 


Octagonal vase-shaped body, pinnacle cover, pointed finial, curved 
spout and looped handle. Printed, in dark blue, with American 
Eagle and arms of the U. S. A. and with scrolled and floral bor- 
der. Barber, No. 475. 


264—ANGLO-AMERICAN STAFFORDSHIRE POTTERY SUCRIER AND STAF- 
FORDSHIRE CREAM EWER OF THE EARLY 19TH CENTURY 

Coupe-shaped sucrier with domed cover and acorn finial, boat- 

shaped ewer with looped handle. Printed, in dark blue, one 

with “The Tomb of Franklin” and foliage, one with scenes of 


shipping and shell border. (Ewer cracked.) Barber, No. 47. 
Heights, 5 and 4% inches. 


265—ANGLO-AMERICAN STAFFORDSHIRE POTTERY SUCRIER OF THE 
EarLY 19TH CENTURY 

Rectangular vase-shaped body, domed cover, pointed finial and 

false ring handles. Printed, in dark blue, with oval medallion 

occupied by a subject of the “Landing of Lafayette at New York, 

1824” and floral border. Barber, No. 96. (Cover does not 


match. ) Height, 6 inches. 


Second and Last Afternoon 


266—ANGLO-AMERICAN STAFFORDSHIRE POTTERY SUCRIER OF THE 
EARLY 19TH CENTURY 


Rectangular vase-shaped body. Pinnacle cover, rectangular 
mushroom finial and scrolled handles. Printed, in dark blue, 
with a subject of “Mount Vernon, Seat of the Late Gen. Washing- 
ton” (Washington standing beside horse) and floral border. Bar- 
ber, No. 401. 
Height, 5% inches. 
(Illustrated ) 


267—ANGLO-AMERICAN STAFFORDSHIRE POTTERY SUCRIER OF THE 
Earty 19TH CENTURY 
Octagonal vase-shaped body, pinnacle cover, pointed finial and 
scrolled handles. Printed, in dark blue, with a subject of “The 
Tomb of Franklin” and floral border. Barber, No. 47. 


Height, 6%4 inches. 


268—ANGLO-AMERICAN STAFFORDSHIRE POTTERY TEAPOT OF THE 
EARLY 19TH CENTURY 


Octagonal vase-shaped body, pinnacle cover, pointed finial, 
curved spout and looped handle. Printed, in dark blue, with a 
subject of “The Tomb of Franklin” and floral border. Barber, 
No. 47. 

(Illustrated ) 


269—ANGLO-AMERICAN STAFFORDSHIRE POTTERY SUCRIER OF THE 
Earty 19TH CENTURY 
Octagonal pear-shaped body with projecting looped handles and 
pinnacle cover with pointed finial. Invested with a white glaze 
and printed, in black, with subjects of the “Boston Mails,” 
““Gentlemen’s Cabin.” (Three men.) B., No. 318. 


Height, 8 inches. 


270—Two ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATES OF THE 
EarRLY 19TH CENTURY 


Circular shape with curved rims, one with scalloped edge. 
Printed, in dark blue, with subject of “University Building” (with 
sheep on the lawn) surrounded by a border of twisted ribbon 
inscribed with the names of the States and “Marine Hospital, 
Louisville, Ky.,” with border of shells. Barber, Nos. 86 and 8. 
(Cracked and repaired.) 


Diameter, 9 inches. 


266 


Second and Last Afternoon 


271—ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19TH CENTURY 


Circular shape with curved rim. Printed, in dark blue, with a 
subject of “The Fall of Montmorenci, near Quebec” and a border 
of shells. Barber, No. 50. 


Diameter, 9 inches. 


272—ANGLO-AMERICAN STAFFORDSHIRE PoTTERY PLATE OF THE EARLY 
19TH CENTURY 
Circular shape with curved rim and scalloped edge. Invested with 
a white glaze and printed, in light blue, with a subject of “The 
Erie Canal at Buffalo” and with a floral border. Made by Ralph 
Stevenson. B., No. 232. 


Diameter, 9°4 inches. 


273—ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19TH CENTURY 
Circular shape with curved rim. Invested with a white glaze and 
printed, in sepia, with a subject of “Yale College, New Haven.” 
Mark: “Meigh” (impressed). Made by Charles Meigh. B., 
No. 30414. 


274—Pair oF ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATES OF 
THE EARLY 19TH CENTURY 
Circular shape with curved rims. Invested with a white glaze 
and printed, in dark blue, with a subject of “Moulin sur la Marne 
a Charenton.” Barber, No. 10f. Mark: woop (impressed). 
(One cracked. ) 


Diameter, 9 inches. 


275—Two ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATES OF THE 
EarRLyY 19TH CENTURY 
Circular shape with curved rims. Printed, in dark blue with 
subjects of “MacDonough’s Victory” and “Nahant Hotel, near 
Boston” (without tree) and with borders of flowers, scrolls, 
eagles and shells. Barber, Nos. 6 and 200. (Cracked.) 


Diameter, 9 inches. 


276—Two ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATES OF THE 
EARLY 19TH CENTURY 
Circular shape with curved rims. Printed, in dark blue, with 
subjects of “MacDonough’s Victory” and borders of shells. Bar- 
ber, No. 6. (Cracked.) 


Diameters, 9 and 8% inches. 


Second and Last Afternoon 


277—Two ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATES OF THE 
EarLY 19TH CENTURY 

Circular shape with curved rim. Printed, in dark blue, with sub- 

jects of “MacDonough’s Victory” and “Bank of the United 

States, Philadelphia,” from an engraving by William Birch and 

Son, and with borders of scrolls, eagles, flowers and shells. Bar- 


ber, Nos. 6 and 177. (Cracked. ) 


Diameter, 10 inches. 


278—Two ANCLO-AMERICAN STAFFORDSHIRE POTTERY PLATES OF THE 
EarLY 19TH CENTURY 
Circular shape, curved rims, one with scalloped edge. Printed, 
in dark blue, with subjects of “Boston Court House” (cows in 
foreground) and “Winter View of Pittsfield, Mass.,” and with 
floral and paneled borders. (Cracked.) Barbers, Nos. 260 and 
106. 


Diameter, 10 inches. 


279—ANGLO-AMERICAN STAFFORDSHIRE PoTTERY DINNER AND SOUP 
PLATE OF THE Earty 19TH CENTURY 
Circular shape with curved rims. Printed, in dark blue, with 
subjects of “Lafayette Landing at New York, 1824” and floral 
borders. Barber, No. 96. 


Diameters, 10 and 9 inches. 


280—ANCLO-AMERICAN STAFFORDSHIRE PoTTERY SoUP PLATE OF THE 
EARLY 19TH CENTURY 
Circular shape with curved rim. Printed, in dark blue, with a 
subject of “The Baltimore and Ohio Railroad” and a border of 
shells. Barber, No. 12. 


Diameter, 10 inches. 


281—Pair OF ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATES 
Circular shape with curved rims and scalloped edge. Printed, in 
light blue, with a subject of “The Landing of the Pilgrims” and 
a border of scrolls, eagles and scrolled panels. Barber, No. 1. 


(One cracked.) 


Diameter, 10 inches. 


282—ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19TH CENTURY 
Circular shape with curved rim. Printed, in dark blue, with a 
subject of “La Grange, the Residence of the Marquis Lafayette,” 
and a floral border. Barber, No. 1f. 


Diameter, 10 inches. 


Second and Last Afternoon 


283—Pair OF ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATES OF 
THE Earty 19TH CENTURY 
Circular shape with curved rims. Invested with a white glaze and 
printed in blue with subjects of “The Texian Campaign” and 
with borders of military trophies, figures and scrolls. B., No. 
329. Made by J. B. 


Diameter, 10% inches. 


284—Pair oF ANCLO-AMERICAN STAFFORDSHIRE POTTERY PLATES OF 
THE EarRty 19TH CENTURY 
Circular shape with curved rims and scalloped edges. Invested 
with a white glaze and printed, in sepia, with subjects of “Near 
Fishkill, Hudson River,” and floral borders. B., No. 54. Made 
by Enoch Wood and Sons. 


Diameter, 10% inches. 


285—ANGLO-AMERICAN STAFFORDSHIRE POTTERY PLATE OF THE EARLY 
19TH CENTURY 
Circular shape with curved rim and scalloped edge. Printed, 
in dark blue, with a subject of “Winter View of Pittsfield, Mass.,” 
and a border of flowers and scrolled panels. Barber, No. 106. 


Diameter, 10% inches. 


Second and Last Afternoon 


286—ANGLO-AMERICAN STAFFORDSHIRE PoTTERY DISH OF THE EARLY 
19TH CENTURY 


Circular shape, with straight spreading sides and beaded rim. 
Invested with a white glaze and printed, in light blue, with the 
“Millennium” design of Child with Lion and All Seeing Eye. 
B., No. 30s. 


Height, 2% inches; diameter, 11% inches. 


287—Two ANGLO-AMERICAN AND STAFFORDSHIRE POTTERY PLATES OF 
THE EARLY 19TH CENTURY 


Octagonal shape with curved rims. Invested with a white glaze 
and printed, in dark blue, with subjects of “A View of Cape 
Coast Castle, on the Gold Coast,” and of a Classic Portico with 
figure in eighteenth century costume and with borders of flowers, 
scrolls, medallions and shells. Barber, No. 125f. (One re- 
stored. ) 

Lengths, 19 and 16 inches; widths, 14% and 13 inches. 


288—ANGLO-AMERICAN LIVERPOOL PoTTERY MASoNIc PITCHER OF THE 
18TH CENTURY 


Barrel-shaped body with pointed spout and flat looped handle. 
Invested with a white glaze and printed, in black, with two groups 
of Masonic emblems and a portrait with inscription, “Rev. Ab- 


salom Jones of the African Church, Phila.” (Chipped.) 
Height, 8% inches. 


289—ANGLO-AMERICAN LivERPOOL PoTTERY, WASHINGTON PITCHER OF 
THE 18TH CENTURY 


Barrel-shaped with pointed spout and flat looped handle.  In- 
vested with a white glaze and printed, in black, with a medallion 
portrait of Washington supported by figures of Justice and Lib- 
erty and surrounded by the names of the Thirteen States, a full- 
rigged battleship flying the Stars and Stripes and an American 
Eagle with the arms of the U. S. A. (Cracked.) 

Height, 9 inches. 


290—OneE ANGLO-AMERICAN LIVERPOOL AND Two STAFFORDSHIRE Pot- 
TERY PITCHERS OF THE EARLY 19TH CENTURY 
One barrel-shaped and two pear-shaped with looped handles. One 
printed, in brown, with portrait of Nelson, inscription and full- 
rigged ship; one painted in green, with seascape and sailing 
ships; one decorated, in blue, yellow and brown, with bands, lines 
and roundels. (Two cracked and repaired. ) 


Heights, 94%, 5°4 and 4° inches. 


Second and Last Afternoon 


291—AncLO-AMERICAN LIVERPOOL PoTTERY PITCHER OF THE EARLY 
19TH CENTURY 
Barrel-shaped with pointed spout and flat looped handle.  In- 
vested with a white glaze and printed, in black, with an oval me- 
dallion occupied by “The Apotheosis of Washington” and sur- 
rounded by cherubim, a full-rigged ship flying the Stars and 
Stripes, an inscription, “Ship Sally of Newbury Port. Moses 
Wells, Master 1805,” and the American eagle with the arms of 
the U. S. A. Gold borders and scrollings. (Slight crack on 
spout. ) Height, 11 inches. 
(Illustrated ) 


EARLY AMERICAN 


292—EarLy AMERICAN NEw JERSEY WARE SPITTOON 
Circular shape with facetted sides and sunken top. Invested with 
a light tortoise-shell brown glaze. 


Height, 2% inches; diameter, 4 inches. 


2903—EARLY AMERICAN NEw JERSEY WARE TANKARD 


Cylindrical body with three looped “hound” handles modeled as 
dogs. Decorated, in relief, with figures of windmills and run- 
ning foxes. Invested with a gray glaze bordered with brown. 


Height, 7% inches; diameter, 5 inches. 


(Illustrated) 


294—-EaRLY AMERICAN NEW JERSEY WARE PITCHER 
Pear-shaped with curved spout, straight looped rustic handle and 
circular foot. Decorated, in relief, with hunting subject and 
scrolled and pointed-leaf borders. Invested with a tortoise-shell 


brown glaze. Height, 9 inches. 


295—EarLy AMERICAN New JERSEY Ware “Hounpb” PITCHER 
Pear-shaped body, cylindrical rim, curved spout and “hound” 
looped handle. Decorated, in relief, with hunting subject, vine 
leaves and grapes, handle formed as a dog. Invested with a tor- 
toise-shell brown glaze. Heighi. 9 Gncket 


296—EarLY AMERICAN New JersEY WARE “Hounp” PITCHER 
Pear-shaped body, cylindrical rim, curved spout and “hound” 
looped handle. Decorated, in relief, with hunting subject, vine 
leaves and grapes, handle formed as a dog. Invested with a 
tortoise-shell brown glaze. Height AG aaawen 


Second and Last Afternoon 


297—EARLY AMERICAN New JERSEY WARE “Hounb” PITCHER 


Pear-shaped body, cylindrical neck, pointed spout and “hound” 

handle. Decorated, in relief, with a hunting subject and a 

meander border of vine leaves and grapes, the handle modeled 

as a dog. Invested with a tortoise-shell brown glaze. (Rim 
chipped. ) 

Height, 9 inches. 

Note: This pitcher was made by the American Pottery Co., of Jersey 


City, and was modeled about 1840 by Paul Greatback, an English potter 
formerly with Wedgwood, who came to this country early in the nine- 


teenth century. 
(Illustrated) 


298—EarLty AmerIcAN New Jersey Ware “Hounp” PITCHER 
Pear-shaped body, cylindrical rim, curved spout and “hound” 
looped handle. Decorated, in relief, with hunting subject, vine 
leaves and grapes, handle formed as a dog. Invested with a 
tortoise-shell brown glaze. 
Height, 11 inches. 


299—EarLy AMERICAN New Jersey WARE DisH 


Circular shape with straight side. Invested with a dark tortoise- 
shell brown glaze. 
Diameter, 9% inches. 


300—EarLy AMERICAN NEw JERSEY WARE Fruit DisH 


Oval shape with looped handles. Decorated, in relief, with 
branches of vine leaves and clusters of grapes. Invested with a 
dark brown mottled glaze. 

Length, 11% inches; width, 9 inches. 


(Illustrated) 


) 


301—EarLty AMERICAN New JerseEY PotTTrery SPITTOON 


Circular shape with depressed top. Body decorated with gadroon- 
ings and clam shells, top with radiating flutings. Invested with a 
light-colored tortoise-shell glaze. (Faulty.) 


Height, 3% inches; diameter, 10 inches. 


Second and Last Afternoon 


302—WHIELDON WARE PINEAPPLE TEAPOT OF THE 18TH CENTURY 


Pear-shaped body with curved spout, looped handle and cover 
with floral finial. Body modeled in semblance of a pineapple. 
Spout and handle with acanthus leaves. Invested with green 


and yellow glazes. 
Height, 4°%4 inches. 


303—WHIELDON WARE TEAPOT OF THE 18TH CENTURY 


Pear-shaped body, curved spout, flat looped handle and acanthus- 
leaf finial. Body incised with dotted diapering. Invested with 
green and yellow glazes in alternate vertical bands. 


Height, 4 inches. 


304—AMERICAN PoTTERY TWO-HANDLED VASE 


Globular body, with raised flutings, incurved neck, spreading 
rim, molded stem, circular foot and two rustic looped handles. 
White paste unglazed as to the exterior, the interior invested with 
a white glaze. 


EARLY AMERICAN BENNINGTON WARE 


305—EARLY AMERICAN BENNINGTON WARE INKSTAND 


Modeled as the head of a smiling man in a nightcap, and pierced 
for ink and penholder. Invested with a mottled brown glaze. 


Height, 3% inches. 


Second and Last Afternoon 


306—EARLY AMERICAN BENNINGTON WARE BowL 
Coupe shaped with annular rim. Invested with a dark tortoise- 
shell brown glaze. 
Height, 2 inches; diameter, 3%4 inches. 


307—EARLY AMERICAN BENNINGTON WARE Muc 


Cylindrical body with looped handle and molded foot. Invested 
with a tortoise-shell brown glaze. 
Height, 3 inches. 


308—EarRLY AMERICAN BENNINGTON WARE SHAVING Muc 


Cylindrical body, looped rustic handle. Top with saucer for 
soap and opening for brush. Invested with a tortoise-shell brown 
glaze and decorated, in relief, with seated figure of Toby Fil- 
pot. 

Height, 4% inches. 


309—EarRLY AMERICAN BENNINGTON WARE Soap DisH 
Reetangular shape, with molded sides and sunken pierced top. 
Decorated, in relief, with a band of acanthus leaves. Invested 
with a dark tortoise-shell brown glaze. 


Height, 2 inches; length, 5%4 inches; width, 4 inches. 


310—EarLy AMERICAN BENNINGTON WARE PITCHER 


Straight tapering side with pointed spout and flat looped handle. 
Invested with a dark tortoise-shell brown glaze. 
Height, 4 inches. 


311—EarLy AMERICAN BENNINGTON WARE PITCHER 


Pear-shaped body, pointed spout and flat looped handle. In- 
vested with a tortoise-shell brown glaze and decorated, in relief, 
with a Toby Filpot head and pointed leaves. 

Height, 5 inches. 


312—EarLy AMERICAN BENNINGTON WARE MILK Juc 
Modeled as a cow with open mouth forming the spout and shield- 
shaped opening in back with cover. On oval base. Invested 
with an irregular brown glaze. 
Height, 5 inches. 


313—EarRLY AMERICAN BENNINGTON WARE MILK Juc 


Modeled as a cow with open mouth forming the spout and shield- 
shaped opening in back with cover. On oval base. Invested 
with a brown tortoise-shell glaze. (One horn chipped.) 


Height, 5 inches. 


Second and Last Afternoon 


314—-STAFFORDSHIRE EARTHENWARE BENNINGTON WARE PITCHER OF 
THE EARLY 19TH CENTURY 


Small octagonal and tapering quatrefoil shapes with looped 
handles, one with hinged pewter lid. Glazed yellow earthenware 
and white Parian ware, the latter decorated, in relief, with floral 
scrolls and with figures of a soldier embracing his sweetheart. 


Heights, 5°%4 and 5% inches. 


315—EarLy AMERICAN BENNINGTON WARE PITCHER 


Pear-shaped body, pinched in spout and round looped handle. 
Invested with a light tortoise-shell brown glaze and decorated, in 
relief, with a Toby Filpot head. 

Height, 5% inches. 


316—EarLY AMERICAN BennincTon WARE Book FLAsk 
Modeled as a book and lettered “Departed Spirits G.” Invested 
with a dark tortoise-shell brown glaze mottled with green. 


Height, 5% inches. 


317—EarLyY AMERICAN BENNINGTON WARE Book FLASK 


Modeled as a book with leaves indicated by grooves. Invested 
with a tortoise-shell brown glaze. 
Height, 7% inches. 
(Illustrated) 


318—EarLy AMERICAN BENNINGTON WARE Book FLAsk 
Modeled as a book and lettered “Departed Spirits.” Invested with 
a light tortoise-shell brown glaze mottled with green. 


Height, 5% inches. 


319—Two AMERICAN BENNINGTON PARIAN WARE VASES 
Pear-shaped bodies. White Parian, decorated, in relief, one with 
busts of Garfield, vine leaves and grapes, one with seated Putto 


and acanthus leaves. 
Heights, 6 and 4% inches. 


320—Pair oF Earty AMERICAN BENNINGTON WARE CANDLESTICKS 
Cylindrical stems with rings, flat bobéches and spreading cir- 
cular feet. Invested with a tortoise-shell brown glaze. 


Height, 6%4 inches. 
(Illustrated ) 


320 


Second and Last Afternoon 


$21—EarRLy AMERICAN BENNINGTON WARE PoTTERY PITCHER 
Flattened pear-shaped body with curved spout and looped handle, 
Decorated, in relief, with circular medallions surrounded by 
wreaths, inclosing busts of George Washington. Invested with 


a brown glaze. 
Height, 61% inches. 


322—PaiR oF EARLY AMERICAN BENNINGTON PARIAN WARE VASES 
Pear-shaped bodies, with cylindrical necks. White Parian, dec- 
orated, in relief, with acanthus leaves, interlacements and band 
of beading and with handles modeled as vine leaves and grapes. 


Height, 9 inches. 


323—-EARLY AMERICAN BENNINGTON WARE Brown GLAZED PITCHER 


Flattened pear-shaped body with curved spout and looped handle. 


Invested with a clouded brown glaze. 
Height, 6% inches. 


324—EARLY AMERICAN BENNINGTON WARE JAR 
Pear-shaped body with domed cover and molded foot. At the 
foot is a cylindrical spigot, also one in cover, and a cylindrical 
opening closed with a cork. Invested with a tortoise-shell brown 


glaze. 
Height, 6 inches. 


Second and Last Afternoon 


325—EarRLY AMERICAN BENNINGTON WARE PITCHER 


Flattened pear-shaped body, curved spout and flat looped handle. 
Decorated, in relief, with groups of Putti and goats and with 
scrollings. Invested with a light-colored tortoise-shell brown 
glaze. 

Height, 642 inches. 


326—EARLY AMERICAN BENNINGTON WARE TEAPOT 


Pear-shaped body with curved spout, flat rustic looped handle 
and domed cover with quatrefoil finial. Body decorated with 
flutings and band of acanthus leaves in relief. Invested with a 
tortoise-shell brown glaze. 

Height, 7 inches. 


327—EARLY AMERICAN BENNINGTON PARIAN WARE PITCHER 


Pear-shaped body with curved spout and flat looped handle. 
White Parian, decorated, in low relief, with vertical panels of 
pointed leaves. 

Height, 7% inches. 


328—EarRLy AMERICAN BENNINGTON WARE PITCHER 


Flattened pear-shaped body, curved spout and flat looped handle. 
Decorated, in relief, with stalks of Indian corn and cobs and 
leaves and invested with a mottled brown glaze. 

Height, 8 inches. 


329—EARLY AMERICAN BENNINGTON WARE PITCHER 


Flattened oval shape, pointed spout, flat looped handle and oval 
foot. Decorated, in relief, with a subject of a tiger attacking a 
bull. Invested with a tortoise-shell brown glaze. 

Height, 9 inches. 


330—EARLY AMERICAN BENNINGTON WARE SPITTOON 


Pear-shaped body with depressed top. Body decorated with flut- 
ings and incised diamonds, top with raised and incised pointed 
leaves. Invested with a tortoise-shell brown glaze. 


Height, 5 inches; diameter, 8 inches. 


331—EarLyY AMERICAN BENNINGTON WARE JAR AND COVER 


Cylindrical shape with sides of vertical corrugations, domed 
gadrooned cover with mushroom finial, scrolled and gadrooned 
handles and molded foot. Invested with a tortoise-shell brown 
glaze. 

Height, 9 inches; diameter, 7 inches. 


Second and Last Afternoon 


332—EaRLY AMERICAN BENNINGTON WARE BOTTLE : 
Modeled as the standing figure of a man with high hat, in coat 
with cape and voluminous skirt and under coat with tassels. 
Holding a flask in his right hand. Invested with a tortoise-shell 


brown glaze. 
Height, 1014 inches. 


333—EaRLY AMERICAN BENNINGTON WARE PITCHER 
Flattened pear-shaped with pointed spout, looped handle and 
oval foot. Decorated with circular medallions surrounded by 
scrolled acanthus leaves and enclosing classic heads. Invested 


with a mottled brown glaze. 
Height, 9 inches. 


304—-EARLY AMERICAN BENNINGTON WARE BOTTLE 


Modeled as the standing figure of a man in a wide-brimmed high 
hat, in coat with cape and voluminous skirt. Holding in his 
right hand a cup. Invested with a tortoise-shell brown glaze. 


Height, 10% inches. 


Second and Last Afternoon 


335—EarLy AMERICAN BENNINGTON WARE BOTTLE 


Modeled as the standing figure of a man in a wide-brimmed high 
hat, in coat with cape and voluminous skirt. Holding in his right 
hand a cup. Invested with a tortoise-shell brown glaze. 


Height, 10% inches. 


336—EaLy AMERICAN BENNINGTON WARE FRuIT DISH 


Rectangular shape with rounded angles and curved rim. In- 
vested with a tortoise-shell brown glaze and decorated, in relief, 
with C-scroll medallions at the angles and a rayed octagonal 


medallion in the center. 
Length, 9 inches; width, 9 inches. 


337—-EARLY AMERICAN BENNINGTON WARE DIsH 


Circular shape with straight spreading sides, decorated, in relief, 
with a band of acanthus leaves. Invested with a brown tor- 


toise-shell glaze. 
Height, 3% inches; diameter, 11 inches. 


338—EarLY AMERICAN BENNINGTON WARE BASIN 


Coupe-shaped with turned-over rim and circular foot. Decorated, 
in relief, with flutings and acanthus-leaf scrollings. Invested 
with a tortoise-shell brown glaze. 


Height, 442 inches; diameter, 15% inches. 


AMERICAN ART ASSOCIATION, 
MANAGERS. 
THOMAS E. KIRBY, 
AUCTIONEER. 


INTELLIGENT APPRAISALS 
FOR 
UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


APPRAISEMENTS AND INVENTORIES 


OF 


ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
AND PERSONAL EFFECTS OF 
EVERY DESCRIPTION 


AT CHARGES COMMENSURATE 
WITH THE DUTIES INVOLVED 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 


NEW YORK 
TELEPHONE, 3346 GRAMERCY 


COMPOSITION, PRESSWORK 
AND BINDING BY 


GETTY RESEARCH INSTITUTE 


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COLLECTION OF MR. CHARLI 


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THE AMERICAN ART ASSOCIAT 


NEW YORK 


